This is a rare, early devotional painting. This Holy Family with the Young Saint John the Baptist was unknown prior to its sale in Genoa, Italy in 2009 and was first published in full in 2011 (Wolk-Simon, Gallagher). It includes traditional symbols such as the goldfinch (symbolic of the Resurrection), but also more unusual details, especially a young Saint John who 1524–26) Perino Del Vaga (Italian, 1500/01-1547) Facebook Twitter Pinterest. 1524–26. The infant Christ seems to record the features of an actual child, indicating the care with which Perino approached this artwork. Florentine by birth, Perino was trained in Raphael’s workshop in Rome, where he soon became one of the most inventive artists of his generation. Website: Stuart Center. The drawing is highly finished and squared for transfer in red chalk. 1. Creator: Perino del Vaga ( Pietro Buonaccorsi) Date Created: ca. Download. It is a relatively early work by Perino del Vaga and seems to date from the mid-1520s, when the artist worked for the papal court and members of the Curial elite, rising to become the leading mural painter in the competitive Roman art world. Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Physical Dimensions: 34 3/4 x 25 5/8 in. Favourite Collect Standard, 1639 x 2227px JPG, Size: 3.46 MB, 300dpi. Title: The Holy Family with the Infant Saint John the Baptist. Artist: Perino del Vaga – c. 1524 – 1526 Florentine by birth, Perino was trained in Raphael’s workshop in Rome, where he soon became one of the most inventive artists of his generation. This is a rare, early devotional painting. The Holy Family with the Infant Saint John the Baptist (ca. 800-699-4482 (Mon-Fri, 9AM - 5PM MT)© 1999 - 2020 Trinity Stores.All Rights Reserved. This red chalk composite study of the Holy family with Saint John the Baptist is preparatory for the painting attributed to Perino del Vaga at the Metropolitan Museum of Art, New York (fig.1). It includes traditional symbols such as the goldfinch (symbolic of the Resurrection), but also more unusual details, especially a young Saint John who is crowned with grape leaves and wears a leopard skin, usually associated with the god Bacchus—a mingling of pagan and Christian iconography.

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