It included over 650 paintings, sculptures, prints and books from the collections of thirty-two different German museums. During this period he also took evening classes under Fritz Helmut Ehmke (1905), did some work as a stage and costume designer at the Schauspielhaus Düsseldorf, and visited northern Italy (1905) and Netherlands, Belgium and Britain (1906). The pieces he wrote in the later periods of his life will prove to be the pivotal books of the subject, effectively making Winckelmann the father of the two disciplines. Mengs was the absolute star of the three as he established the vocabulary of an early Neo-Classical style in Germany. Interestingly, Dada in Germany was a lot more political than the case was in other countries. The decades which served as the Neoclassicism chapter of German art were quite dynamic, to say the least. Artists like George Grosz, Otto Dix and Max Beckmann are all good examples of how grotesque expression shaped a person's portfolio. Although Die Brücke broke up in 1913, the group did manage to rediscover woodcut as a valid medium and lay the grounds for many abstract concepts of art. [4], Learn how and when to remove this template message, National Museum of Art, Architecture and Design, "August Macke - The Complete Works - Biography", "Great Substitution Game Generates High Stakes and Huge Profits", "Brokerages May Alter the Art Game : Earthquakes in the Auction World", "Christie's Sale Soars, Driven by Beyeler Estate", Robert Delaunay, letter to August Macke, 1912, Biography with photos at August Macke Haus web site, https://en.wikipedia.org/w/index.php?title=August_Macke&oldid=981977458, German military personnel killed in World War I, Articles needing additional references from July 2015, All articles needing additional references, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CANTIC identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with TePapa identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 5 October 2020, at 14:08. This famed art movement appeared rather earlier in Germany than in France, which is a bit ironic as French Neoclassicism is often used as the primary example of this period. Besides the founder of Bauhaus, Walter Gropius, there were other greats from German art associated with this institution - such as Ludwig Mies van der Rohe, Josef Albers, Laszlo Moholy-Nagy, Paul Klee, Johannes Itten and Marcel Breuer. Die Brücke was a group of German expressionist artists formed in Dresden in the year of 1905 by architecture students who wanted to be painters. In 1904 Macke's father died, and in that year Macke enrolled at the Kunstakademie Düsseldorf, under Adolf Maennchen (1904-1906). Other artists of the group included Karl Schmidt-Rottluff, Erich Heckel and Fritz Bleyl. See more ideas about German expressionism, German expressionist, German art. The essays in German Essays on Art: Winckelmann, Burckhardt, Panofsky, and others are chosen to introduce the reader to some of the writers who initiated and shaped the study of art in the German-speaking countries. This was also the time that Johann Joachim Winckelmann, a German man that quite literally initiated the study of arthistory and archeology as we see them today, was establishing his career. Investigating the 20th-century German art is an intriguing topic. Like a true artist of his time, Macke knew how to integrate into his painting the elements of the avant-garde which most interested him.[1]. The second grouping had its own notable representative as well as the leading German conceptual artists included Bernd and Hilla Becher, Hanne Darboven, Hans-Peter Feldmann, Hans Haacke and Charlotte Posenenske. As far as the Nazi ideology was concerned, this art deviated a bit too far from the prescribed norm of classical beauty. He was one of the leading members of the German Expressionist group Der Blaue Reiter (The Blue Rider). Although its artistic heritage is sometimes not appreciated enough in comparison to the adjacent countries, and because of the two World Wars which stagnated its 20th-century art, Germany still remained a country that had its own say in most European movements and periods. Hearing his ideas, German artists of Neoclassicism gathered around the ideas of a free man and ancient heritage, which was heavily reflected in the visuals of their artworks. The exotic atmosphere of Tunisia, where Macke traveled in April 1914 with Paul Klee and Louis Moilliet was fundamental for the creation of the luminist approach of his final period, during which he produced a series of works now considered masterpieces. He lived during a particularly innovative time for German art: he saw the development of the main German Expressionist movements as well as the arrival of the successive avant-garde movements which were forming in the rest of Europe. In 1909 he married Elisabeth Gerhardt. Historically speaking, the definite highlight of German art history is the architectural heritage with its immense value to archaeologists, historians and art lovers alike. It is that separatistic characteristic that makes German art history such an exciting topic to discuss. Staudacher's house at the Tegernsee, 1910, Tegernsee landscape, 1910, Germanisches Nationalmuseum, Landschaft am Tegernsee mit lesendem Mann, 1910, St. Mary's with houses and chimney (Bonn), 1911, Kunstmuseum Bonn, Vegetable fields, 1911, Museum Ludwig, Cologne, Germany, Two girls, 1913, Städelsches Kunstinstitut, Lady in a Green Jacket, 1913, Museum Ludwig, Cologne, Germany, Kairouan (III), 1914, watercolor, Westphalian State Museum for Art and Cultural History, Münster, Portrait Bernhard Koehler, 1910, Städtische Galerie im Lenbachhaus, Munich, Türkisches Café, 1914, Städtische Galerie im Lenbachhaus, Munich, Indianer auf Pferden, Städtische Galerie im Lenbachhaus, Munich. The artists of the group frequently circulated exhibitions of prints in woodcut, etching, and lithograph; their hope was to strike a prophetic chord and awaken their compatriots to a new, free, passionate age. The main artists of the Nazarene movement were Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and the Swiss Johann Konrad Hottinger. This led to an increase of educated individuals and many new academies were starting to appear around Germany. Kurt Schwitters and Hannah Höch are the leading practitioners of Germany's Dadaistic expression. Their entire output was based on Wassily Kandinsky's ideas on expression and devoutness channeled towards an honest, direct and spiritually engaged artwork. The August-Macke-Haus is a museum dedicated to August Macke founded in 1991. The most notable and influential artist of German Romanticism was the legendary Caspar David Friedrich, one of the greatest painters to have ever lived. The core idea of German Neoclassicism was not that different from its French counterpart - artists and theorists desired to revive art and return it to the greatness of ancient Greece and Rome. This was also the same year that he painted the famous painting Türkisches Café in München (1914). - Wikipedia, Blustery Day near Dresden Erich Heckel - 1910. Joined by Max Pechstein, Otto Müller, and EMil Nolde, the artists of the group exhibited their works in over twenty…. Another movement of German art history can be linked to Romanticism. [3] Consigned by the estate of Ernst Beyeler, the artist's In the Bazar (1914) was auctioned for £3.96 million – then four and a half times the high estimate – at Christie's in 2011. The finest examples of Romanesque and Gothic architecture can be found in Germany, whilst some of the most impressive Baroque and Rococo churches and palaces also call this country their home.
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