Very minor buckling to the canvas at the upper edge. Gladys Nilsson, Whitney Museum of American Art, New York, 12 April through 13 May 1973 Condition reports only detail flaws or restorations and do not take into account wear, fading, or other issues consistent with an object's age. 1940). watercolor on paper Her work often focuses on aspects of human sexuality and its inherent contradictions. GLADYS NILSSON LIM ED ETCHING. 6 1/4 X 11 1/8 INCHES. (American, b. signed G. Nutt (verso) 1940) Gr-Apes, 1972. “Sometimes her adornments are crippling. EDITION #9/40. (American, b. 5 7/8 X 7 7/8 INCHES. Gladys Nilsson Untitled (Hairy Legged, Star TattooedGiantess in Striped Dress Skipping Rope), c. 1965 Lot 10: Gladys Nilsson (American, b. circa 1980. Condition Report: The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. (American, b. Featuring over forty works made between 1963 and 1980, the exhibition is organized in collaboration with Garth Greenan Gallery, where a selection of Nilsson’s recent paintings are on view concurrently. Crackned Horsez, 1972 Lot 1322: GLADYS NILSSON LIM ED ETCHING. 5 X 6 3/4 INCHES. Wilco, A Ghost is Born Basket Case, 1993 Description: 1940) Description: acrylic on canvas GLADYS NILSSON (1940) WATERCOLOR ON PAPER. After 1970 Nilsson returned to working on canvas, and although graphic figures still populate her paintings, they are often anchored by a single protagonist. Including an interview by Alison Gingeras and more than one hundred full-color plates, it is the artist’s most comprehensive publication to date. For condition inquiries please contact Nathan Brady at [email protected], Estimate: GLADYS NILSSON (1940-) ACRYLIC ON BOARD TITLED *HONK*. Selections from the Collection of George M. Irwin, Krannert Art Museum, Champaign, Illinois, Description: All Rights Reserved. 5 7/8 X 8 7/8 INCHES. 8 x 6 1/2 inches. Condition Report: Jean Albano Gallery, Chicago, Description: 12 7/8 X 10 INCHES. Nilsson’s work has been featured in numerous solo and group exhibitions at prestigious institutions: including 16 solo shows at Phyllis Kind Gallery between 1970-1994 (Chicago, IL and New York, NY, USA); Camden Art Centre, London (1981, UK); Los Angeles County Museum of Art (1992, CA, USA); Museum of Art, Rhode Island School of Design, Providence (2014, RI, USA), Art Institute Chicago (2018, IL, USA); National Gallery of Art, Washington D.C. (2018, USA). Description: UNSIGNED. Inscribed with name, top left first page. Provenance: Galerie Bonnier, Genève. 3 11/16 X 10 INCHES. Gladys Nilsson (b. 1940) Monastic Views, 1991, Lot 36: Gladys Nilsson (American, born 1940) Untitled circa 1980, Lot 50: Gladys Nilsson (American, b. Please enter a valid email address ([email protected]), Lot 3: Gladys Nilsson (American, b. This work is in very good condition overall. Description: GLADYS NILSSON (BORN 1940) *THE BUGERO* ETCHING. Hairy Who Gi-me (one dollar), 1969 1940) (American, b. GLADYS NILSSON ETCHING *DANCERS ON STAGE*. Untitled SIGNED ON VERSO. $30,000 - $50,000, Description: Description: Gladys Nilsson (American, b. 1940) Empty Closits, 1993, Lot 80: Gladys Nilsson (American, b. Description: Estimate: EDITION 19/40. Gladys Nilsson’s work is masterfully executed in vibrant watercolour, characterised by densely constructed compositions, in which figures press up against the picture plane. More than a series of group shows, the exhibitions were progressive and challenged traditional modes of presentation in the installation, catalogues and posters. mixed media Thurs: 11am – 5pm Lot 9: Gladys Nilsson (American, b. Laying down each painting’s layers in reverse order yielded more graphic compositions, as Nilsson explains: “The line is the first thing you put down, and everything else builds from that.” Her largest painting on Plexiglas, Very Worldly (1967), is included in the exhibition. signed Gladys Nilsson, titled and dated (verso) Including an interview by Alison Gingeras and more than one hundred full-color plates, it is the artist’s most comprehensive publication to date. A Man, 1972 1940) 1940) Gr-Apes, 1972 acrylic on canvas signed Gladys Nilsson, titled and dated (verso) 28 x 22 inches. 11" x 7". “The Hairy Who were six individuals with their own personal figurative style who were united by their education, their sense of humour, a vast knowledge of art history and their use of source material including comics, tattoo design and circus ephemera. 7 5/8 X 3 1/4 INCHES. Like many of the Hairy Who artists, Nilsson employed a type of horror vacui; many of her works feel filled to the brim with winding, playful imagery. $4,000 - $6,000, Description: Gladys Nilsson (American, b.1940) Plate Dancing in Carbondale, Engraving, Signed lower right, titled lower left, numbered 10/28. Description: On paper, 19¼" x 24¼". Gladys Nilsson Description: Estimate: The Greeting, 1964 Gladys Nilsson (American, b. Unframed. Description: Gladys Nilsson (American, b. Invaluable cannot guarantee the accuracy of translations through Google Translate and disclaims any responsibility for inaccurate translations. 4 X 6 INCHES. © 1986-2020 Invaluable, LLC. watercolor on paper 1993. Estimate: Description: $15,000 - $25,000, Description: $6,000 - $8,000, Description: signed Nilsson, titled and dated (verso) A unique application of watercolour- a medium with which Nilsson has become synonymous – began in the 1960s as a safer alternative to oil paint whilst pregnant. From a blue-collar background, Nilsson thinks there is a lot to be said for simply getting through the day, stating that ‘I like to celebrate small things.’ Monumentalising the humdrum, Nilsson plots big moments and absurd twists for her idiosyncratic characters – favouring humour over realism, limbs unnaturally contort and curve. watercolor and gouache on paper EDITION 7/40. 1993. MARKED 2/5 LOWER LEFT AND 1/16 NEXT TO SIG LOWER RIGHT. Lot 1342: GLADYS NILSSON (BORN 1940) *THE BUGERO* ETCHING. 15 1/4 x 11 1/4 inches. 1940). The Hairy Who She Stanzalone, 1982 Lot 1006: GLADYS NILSSON ETCHING *DANCERS ON STAGE*. Exhibited, EDITION 7/40. Email: [email protected], Wed: 11am – 5pm 523 West 24 Street New York 10011 212 243 0200. EDITION 25/40. circa 1980 "Dance Party". The 6 Artists of Chicago’s Electrifying ’60s Art Group the Hairy Who . There is a surface layer of dust and scattered surface accretions, visible upon close inspection. $8,000 - $12,000, Description: Acquired from the above by the present owner, 1973 As Nilsson describes her approach, “I would draw a big figure, but that figure always needed another figure, and then those two figures needed a third to interact with. Estimate: Description: Provenance: Lot 1324: GLADYS NILSSON LIM ED ETCHING. oil on canvas (frame). Big Floor Show, c. 1967 Messy Dolly, 1995 Lot 1325: GLADYS NILSSON LIM ED ETCHING. Lot 101: Gladys Nilsson (American, b.1940) Plate Dancing in Carbondale, Engraving, Lot 117: Gladys Nilsson (American, b. 1940) Straplesses, 1970, Lot 118: Gladys Nilsson (American, b. Fifty Years of Painting is accompanied by a catalogue co-published with Garth Greenan Gallery. Her work often focuses on aspects of human sexuality and its inherent contradictions. UNSIGNED. H: 22 W: 14 3/4 in. Phyllis Kind Gallery, Chicago. Related Categories. Jean Albano Gallery, Chicago. Framed dimensions: h: 26 1/2 x w: 18 3/4 in. Property from the Collection of George M. Irwin, Quincy, Illinois 18 x 15 inches. Frame, h:26.5 x w:19in. Description: Titled and signed "Nilsson" verso. Lot 605: GLADYS NILSSON (b. Lot 1323: GLADYS NILSSON LIM ED ETCHING. Gladys Nilsson Honk! 1940) 1940) $5,000 - $7,000, Description: Unencumbered by the rules of gravity, scale or proportion, figures of varying sizes fill the frame. 1940) lithograph Collected by a major institution. Gladys Nilsson (b. 1940) 12 7/8 X 10 1/4 INCHES. For further information on this lot please visit the (American, b. Gladys Nilsson Description: Her most common subjects are whimsical, playful, and elongated figures, which often fill the entire composition. Condition Report: The Crystal Palace, 1983 This work was executed Unframed. The Hairy Who left a long-lasting impression on the art world, reaching cult status, and are revered by many artists including Peter Doig, Jeff Koons and Kerry James Marshall. For condition inquiries please contact Mary Grace Bilby at [email protected].
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