With Bowes and friends, she records the stray sounds of the city for a film and takes the “taconic fantasy parkway” to greener pastures, picking up “two tabs for sunshine” to freeze for later enlightenment. You can read our Privacy Policy here. Sign up for our free daily newsletter, along with occasional offers for programs that support our journalism. The Way to Keep Going in Antarctica written by Bernadette Mayer. This discrepancy is only one of the gaps made evident in Memory, a work that most strikingly points to the difference between living and documenting. In 1971, then age 26, she set out to synthesize such experiences in an artistic investigation of memory by recording the world as she lived it over the course of a single month. Historical Amnesia About Slavery Is a Tool of White Supremacy. if( isMobile.any() ){ More than ever, we depend on your support to help fund our coverage. Rich Smith writes about politics, books, and performance for The Stranger. Page Log out? Within its stream of text and image are spaces of recognition between Mayer and the reader, moments of synchronicity that collapse the decades-long gap between the hot July days of 1971 and our aching present and make Memory a hallmark of American conceptualism. But so far, that is not so.”. For more information, visit our Privacy PolicyX, Memory, by Bernadette Mayer, Siglio, 2020. The entries for July 20, double-exposure photographs in which Mayer layers images over each other “like a correction,” capture this reflexivity reflection with incredible poignancy, and as the project nears its close, Mayer’s text becomes more personal. function load_article_ads(){ That said, I do love the poem Epstein points out in that Tweet! Flitting between the intimate and the impersonal, Memory’s combination of photography and written word mimics the flashing, fleeting experience of consciousness. Fun to zoom through the ages like that in a quick line. Privacy Policy Help us reach our goal of 1,500 new contributors by the end of fall! (Courtesy of Bernadette Mayer Papers, Special Collections & Archives, University of California, San Diego).   } (The full audio recording of Mayer reading the text can be streamed online through the library at the University of California, San Diego, where her archives are stored.) Encompassing over a thousand three-by-five-inch snapshots arranged in a grid along a single wall, the installation was accompanied by a six-hour tape recording of Mayer reading her written entries to produce a total sensory experience. MemoryBy Bernadette Mayer The Way to Keep Going in Antarctica By Bernadette Mayer About this Poet An avant-garde writer associated with the New York School of poets, Bernadette Mayer was born in Brooklyn, New York, and has spent most of her life in New York City. (Among them, “Write a series of titles for as yet unwritten poems or proses” and “Write what is a secret. Terms of Use (Courtesy of Bernadette Mayer Papers, Special Collections & Archives, University of California, San Diego), Memory, by Bernadette Mayer, Siglio, 2020. She often experiments with stream-of-consciousness, a mode I find fun to use but not so fun to read, unless I'm in a mood to just swim around in someone's head for a while. VIDEO: People in Denmark Are a Lot Happier Than People in the United States. Seattle Reads Celebrates Indigenous Voices. Her doubts often pulsate across the text. Be strong Bernadette Nobody will ever know I came here for a reason Perhaps there is a life here Of not being afraid of your own heart beating Do not be afraid of your own heart beating Look at very small things with your eyes & stay warm Nothing outside can cure you but everything’s outside What becomes clear throughout Memory’s pages is Mayer’s ability to discern moments of grace within the quotidian and her scrupulous attention to the world around her. “Nothing outside can cure you, but everything’s outside.” In the book we see several images of Mayer gripping her camera as she photographs herself in various mirrors, as if steadying herself against the flood of her memories. Self-address and other classical tropes in the poetry of Bernadette Mayer and Hannah Gamble. Introducing the new edition, she remarks that while Memory appears exhaustive, “so much is left out: emotions, thoughts, sex, the relationship between poetry and light, storytelling, walking and voyaging to name a few…. My favorite is, “Look at very small things with your eyes / & stay warm," which is the work of the poet made plain, and, in my wildest dreams, a reference to Elizabeth Bishop's "Sandpiper," which references William Blake's "Auguries of Innocence," which, as Mayer does in her own poem, charges the reader to: "To see a world in a grain of sand, / And a heaven in a wild flower, / Hold infinity in the palm of your hand, / And eternity in an hour." These generic observations are situated amid scenes of friends gathered around a dinner table and intimate shots of Bowes sitting naked in a bath or curled up in bed, images that convey warmth and familiarity despite their specificity. • In the poem, the speaker searches for a way to keep calm and carry on in the middle of a desolate tundra, a pretty solid metaphor for the constant existential crisis of human life. Over the years, Memory has taken many forms. You can hear his impersonations of Bernie Sanders and Jeff Sessions on Blabbermouth, and you can read his poems at www.richsmithpoetry.com, Sign up for the latest news and to win free tickets to events, The easiest way to find Seattle's best events, All contents © Index Newspapers LLC Takedown Policy, Contact | BOOKS IN REVIEW Her early verse, detailing the vicissitudes of everyday living in a plainspoken, unaffected style, was placed in the second wave of the New York School with Ted Berrigan, Ron Padgett, and Anne Waldman, the poetic inheritors of Frank O’Hara, John Ashbery, and Kenneth Koch. | She's anxiously hopeful about living a life outside that crisis, and offers herself a few admittedly insufficient but hard-won pieces of advice for accessing that life. "Nothing outside can cure you but everything's outside," the speaker says, before later imploring herself again to focus on the "Small things & not my own debris." Takedown Policy. Make an Impact with the University of Washington’s Online Master of Public Health. if( jQuery("#ad-halfpage-349668-0").is(":empty") ){call_ad_new('halfpage','tn_article','ad-halfpage-349668-0','rectangle_1',{"tn_author":"'tausif-n'","tn_articleid":349668,"tn_ptype":"article","tn_keyword":"false","tn_subject":"'culture', 'fine-art'","tn_slp":""});} | Privacy Policy | A condensed version of the work was exhibited as “Remembrance” as part of curator and critic Lucy Lippard’s 1973 exhibition of female conceptual artists. After graduating from the New School in 1967, where she studied with the poet Bill Berkson, she became a fixture on the downtown scene, collaborating with Vito Acconci on the influential but short-lived magazine 0-9, where she published her poetry as well as early conceptual works by Robert Smithson, Yvonne Rainer, and Adrian Piper. Finally she forgives herself for fretting over her obsession with mining her own inner life, and she ultimately submits, as we all must do, to the Buddhist view of life as suffering, which if nothing else feels true. Here’s Why. I thought that by using both sound and image, I could include everything. Each day in July 1971, Mayer shot a roll of 35-millimeter slide film and wrote an exhaustive log of events, impressions, and dreams that together provide a glimpse into her aesthetic and political development as an artist. “Feel crumbly lost ridiculous,” she says in the same entry. Click here to log in or subscribe. After taking her photos, Mayer had to wait for them to develop before adding her diaristic texts; thus writing Memory was always a project of reflection, of rewriting. There's not much point in its being over: but we do not speak them: I had written: "the man who sewed his soles back on his feet", And then I panicked most at the sound of what the wind could do, if I crawled back to the house, two feet give no position, if, the branches cracked over my head & their threatening me, if I, covered my face with beer & sweated till you returned, "The Way to Keep Going in Antarctica" by Bernadette Mayer, from. “ L ook at very small things with your eyes / & stay warm,” wrote Bernadette Mayer, addressing herself in the 1968 poem “ The Way to Keep Going in … For the past five decades, Mayer, the author of more than 30 volumes, has marked herself as a cataloguer par excellence of everyday life, attuned to the rhythms of the world and her position as an artist in it. It soon went out of print but has since been made available as a PDF through Craig Dworkin’s online Eclipse archive. Mayer has referred to Memory as an “emotional science project,” which gestures to the work’s systematic structure and its implied reproducibility. Please consider supporting local, independent, progressive media with a one-time or recurring contribution. In its plain-mannered sensibility, her work furnishes a seemingly endless capacity for recognition and self-reflection.

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