They finally brought Meyer back and reached a compromise, with Meyer paring down The Day After to a final running time of 120 minutes.[10][11]. Grenier, Richard. [8] Director Nicholas Meyer felt the original script was padded, and suggested cutting out an hour of material to present the whole film in one night. ©2020 FOX News Network, LLC. Future US, Inc. 11 West 42nd Street, 15th Floor, Oakes attempts to return to his home via the K-10 freeway and is the only eastbound motorist. His family, many colleagues, and almost all of Kansas City's population are killed. Samuels suggested several writers and eventually Stoddard commissioned veteran television writer Edward Hume to write the script in 1981. Another scene, where a hospital patient abruptly sits up screaming, was excised from the original television broadcast but restored for home video releases. Another brief scene later cut related to a firing squad, where two U.S. soldiers are blindfolded and executed. After several days in the basement, Denise, distraught over the situation, escapes from the basement and runs about the field that is cluttered with dead animals. Suddenly, less emphasis was put on Kansas City, the decision was made to have the city completely annihilated in the script, and Lawrence was made the primary location in the film. Airman Billy McCoy is stationed at a Minuteman missile silo near Whiteman Air Force Base, and is called to duty during the DEFCON 2 alert. After this screening, many executives were deeply moved and some even cried, leading Meyer to believe they approved of his cut. A 1995 double laser disc "director's cut" version (Image Entertainment) runs 127 minutes, includes commentary by director Nicholas Meyer and is "presented in its 1.75:1 European theatrical aspect ratio" (according to the LD jacket). While standing in line for a drink of water from a well pump, McCoy befriends a man who is mute and shares his provisions. [3], The film postulates a fictional war between NATO forces and the Warsaw Pact countries that rapidly escalates into a full-scale nuclear exchange between the United States and the Soviet Union. NATO: President of the United States Prime Minister of the United Kingdom President of France. So says the company's press release for their upcoming film, a remake of "The Day After", the movie which depicted a nuclear holocaust nightmare and aired on American television in 1983. While Hume was writing the script, he and producer Robert Papazian, who had great experience in on-location shooting, took several trips to Kansas City to scout locations and met with officials from the Kansas film commission and from the Kansas tourist offices to search for a suitable location for "Hampton." The song titled Har Ghari Tayyar Kamran, is a remake of an old patriotic song of the 80’s by Khalid Waheed, Niaz Ahmed and Zafar Ullah Poshni. Several stubbornly insist that they should stay at their post and take shelter in the silo, while others, including McCoy, point out that it is futile. Meyer was apprehensive at first and doubted ABC would get away with making a television film on nuclear war without the censors diminishing its effect. ABC, which financed the production, was concerned about the graphic nature of the film and how to appropriately portray the subject on a family-oriented television channel. ABC, Hume, and Papazian realized that for the scene depicting the nuclear blast, they would have to use state-of-the-art special effects and they took the first step by hiring some of the best special effects people in the business to draw up some storyboards for the complicated blast scene. Comments are moderated and generally will be posted if they are on-topic and not abusive. #OurMartyrsOurHeroes https://t.co/psf6t1tR57. Composer David Raksin wrote original music and adapted music from The River (a documentary film score by concert composer Virgil Thomson), featuring an adaptation of the hymn "How Firm a Foundation". The two sides were to be athletes versus the science students under the guidance of Professor Huxley. McCoy abandons the truck and takes shelter inside an overturned semi truck trailer. There’s a lot going on right now in my life, and even more coming in the next ten days. "[citation needed] Four years later, the Intermediate-Range Nuclear Forces Treaty was signed and in Reagan's memoirs he drew a direct line from the film to the signing. We use cookies and other technologies to customize your experience, perform analytics and deliver personalized advertising on our sites, apps and newsletters and across the Internet based on your interests. According to it's YouTube description, the renowned music maestro, Hamza, has "put his heart and soul into the song, giving it a contemporary spin.". However, after reading the script, Meyer agreed to direct The Day After. ", A tribute to our martyrs, our heroes, on the eve of #Defence & Martyrs’ Day.#ہرگھڑی_تیارکامران_ہیں_ہم Sagan described the arms race in the following terms: "Imagine a room awash in gasoline, and there are two implacable enemies in that room. The Soviet Air Force destroys a BMEWS station at RAF Fylingdales in England, and another at Beale Air Force Base in California. Eisenberg, Adam, "Waging a Four-Minute War", This page was last edited on 30 September 2020, at 14:43. Andy covers the day-to-day happenings in the big, wide world of PC gaming—the stuff we call "news." The town boasted a "socio-cultural mix," sat near the exact geographic center of the continental U.S., and Hume and Meyer's research told them that Lawrence was a prime missile target, because 150 Minuteman missile silos stood nearby. Finally, in May, ABC hired feature film director Nicholas Meyer, who had just completed the blockbuster Star Trek II: The Wrath of Khan. In any case, Meyer, Papazian, Hume, and several casting directors spent most of July 1982 taking numerous trips to Kansas City. Some footage was reinstated for the film's release on home video. There was a problem. During the late hours of Friday, September 15, news broadcasts report a "widespread rebellion among several divisions of the East German Army." Much press comment focused on the unanswered question in the film of who started the war. The aftermath depicts the Midwestern and Northwestern United States as a blackened wasteland of burned-out cities filled with burn, blast, and radiation victims. In between casting in Los Angeles, where they relied mostly on unknowns, they would fly to the Kansas City area to interview local actors and scenery.

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