One of the most common tasks in video production is lighting a white cyclorama (or “cyc”) — a white backdrop. It’s not the material that determines what a cyc is, it’s the rounded shape that gives an infinity look to what or who you’re shooting on it. thanks. It might be nice if you could pull back and show a picture of the whole cyclorama for those of us who have never seen one. For mood, you can create a gradient on the background, giving the effect that the background is indeed there but not competing with the model or the overall impact of the image. I REALLY like this blog! I got it. this is actually very interesting (and beautifully illustrated)and has given me some very interesting insights into some of the stuff I try to do with Photoshop … i think what is most interesting are your statements while there are alot of technicalities involved (the mathematics, so to speak) in the end, the art is really in the eye and judgement of the artist … one of the challenging aspects of the work is knowing how to direct the technicalities to provide what the artist eye wants to show … this is still very much a challenge for me, and I work via trial and error, but I KNOW IT WHEN I SEE IT! And Get Our Top 10 Insider Photography Secrets & Details On How To Enter Our Photo Of The Week Competion: Claim your exclusive VIP ACCESS FOR FREE to our top 10 insider industry secrets, weekly comps, upcoming events, tips & our community of thousands. I just know what looks good and I learned that by trial and error. It’s entirely up to the photographer’s eye and taste on what he/she is trying to achieve. Something that I really needed. }. It may not have shown up on any search because the subject was listed as soft-boxes, but there is much discussion about lighting a cyc evenly. I always read and heard that 3 lights system for portails photo was the rule, I always try to light the cyc with 3 lights, tired of not get the results I would like, I use 4 lights ; one on the ceiling (for lighting the CYC) two lights on the side of the subjetc, (one each side) and the four light 45° from the face of the subjet, so finnaly i got the result i was looking for. This is very helpful for me. i assume you're also concerned with shadows on the cyc as well as hot spots, no? And I will definitely be doing more tutorials in the future and you’ll see me shoot on a cyc. Very interesting article… found this while searching for Photoshop tips… keep up the good insights and articles.. They are in most professional studios and have replaced the seamless paper almost entirely. All Images ©2008 Melissa Rodwell Photography LLC. For those of you who don’t know, cyc is short for cyclorama. I’m intrigued about your comment on lighting the model only to create a black background from a white cyc. There is just no lighting on the cyc, whatsoever. This is the only tutorial I have seen on the cyc. I turned off my background lights, put a beauty dish on my one key light and placed him pretty much directly under it. —thanx a lot!!—. Colored lights, cukaloris and other patterned screens can be used on the cyc to create interesting background effects. It is a smooth, endless appearing background. Thanks for helping us in fashion photography. As an avid photographer it always used to irk me that I was so open to the elements and my →, Black & white photography: from training the eye to choosing your models, make up, →, When shooting black and white fashion photography, how you convert from full-color Raw →, −  This shot is using the 4 lights on the background effect: You can try throwing one light on the background to create a splash of light across the back or you can use lights from different angles, I’ve even placed a light head on the floor and pointed it up toward the background to create an interesting effect. Assuming that your model is far enough away from the cyc, lighting can be controlled so that the background effect can be light or dark. Was it already white and the lighting u used just made it more seamless…? I will show you the difference. Finding the perfect bike is only half of the equation. I will be shooting a behind the scenes video tomorrow on a fashion shoot. Get Geared Up . Seeing some set up shots would be great. Students have been working hard in the studio, using the new Broncolor lighting, for their second module, Photography and Illusion. Why? Claim your VIP ACCESS: to our top 10 insider photography secrets, weekly comps, upcoming events, tips & our community of thousands.  =  In this shot, I photographed a different model on a different day but on the same exact cyc. Meter your background and try different exposures. I get about a 1 to 1 1/2 stop ratio between my background and my key light when I intend to blow out the background and create the infinite seamless white background. Again, the model is far enough from the background but this time it is not as important than if I had lighting on the background because I don’t have to worry about spillage from either my key on to the background or my background light spilling onto the set, thus interfering with my lighting on the model. so now you comfirm i was right. ... even thought he deals with smaller products the techniques applies to bigger stuff as well. Beautiful photos, just found your blog and I’m glad I did, looking forward to reading more… Thanks and keep up the good work! I have light grey and a blacks rolls and interchange them for different levels of background tone. Is it just walls or does it curve from the floor into the walls and up into the ceiling? four This was very educational. Cycs normally cover two sides of the studio. Appreciate the way you make it so easy to understand. .hide-if-no-js { Thanks for this article. if the cyc is white, and you're going for a high-key effect, you don't have much of a hot spot concern, but shadows could be a problem. I’ve discovered this blog seeing your profile at flickr and I liked it very much. Choreographers should select a cyc where they want their piece to be brightly lit and colorful. The lighting scheme on the cyc can change throughout the piece. When I go totally black, I just make sure I flag everything off from my key lights so there is no spillage. And simply googeling "product photography tutorial" and "product photography lighting" will give you a multitude of useful information. es estupendo todo tu blog. Cool. I too am looking forward to more from you. Thanks, Luhura! 2. Log in, Why Your Child Desperately Needs Dance in a Pandemic, Pippa By Design: A Story of Ballet and Costumes. The union of the floor and the cyc was visible from the audience because there was a straight, abrupt angle which created shadows. You can either light the cyc or not light the cyc. Thanks for the comments, both of them. I work with a portable Colorama paper system, not as professional but intrisically the same idea. The first option, a cyc, is a white curtain that can be lit with many different colors. $$$ of lighting the cyc wall? With lighting a background or cyc, you need to experiment. Meter your background and try different exposures. I’ve only just discovered this particular blog – typical Brit! This is a shot where I used one head on the background in order to create a silhouette effect behind my models: The key point of interest is around the faces of the young men I photographed. Try 4 lights, then 2 lights. Let’s take a look. la verdad q ayuda bastante a la gente como yo. Cool!! :-D by now, i’m playing with seamless.. wel fabric, not paper. Thanks for great article. Some great shots and an interesting post, but agree that some set-up shots would help to illustrate how you’ve got everything fitting together. I’d be very interested in those. how far in front of the cyc will the subject be? If you want to create a black background, obviously just don’t light the background at all. I use V flaps behind my lights to control flare and spillage onto the set. Wow! Regards, Pelayo. Is it true that to get the right exposure the background and back of subject should be 1 stop apart…, Are You Professional Fashion Photographer With Some Useful Tips For Our Photography Community. There is your idea and your taste. Students have been working hard in the studio, using the new Broncolor lighting, for their second module, Photography and Illusion. If you google photography cyclorama you’ll get better results. So check back soon! Thanks. -. Yes Ben, for sure, I will be posting video tutorials as well, so you will be able to see all my lighting schemes in those, stay posted! The second option, a traveler, is a black curtain. There are all kinds of formulas, all kinds of mathematics and theories out there. It’s going to take me a while to catch up with all your articles! Simply enter your name & email below: We respect your privacy. You can go to DPreview for that kind of technical stuff. I will leave you with one last example. We were going for a white background effect with the band. These are amazing pictures! In order to bring the viewers eye to that point of interest, I lit the cyc at that particular angle so it backlit the models and created more detail. The two shots below are from a shoot I did for Universal Records in NYC back in April 2008. I’m a photographer, not a mathematician. 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