Elizabeth Alexander’s poem, “Praise Song for the Day” was chosen to be read for the inauguration of President Barack Obama because her poem encompassed this abstract idea of “hope” and brought it to the forefront with imagery we can all relate to in one form or another. There is no set rhythm or meter. This is a time of uncertainty and struggle. Magazine Subscribers (How to Find Your Reader Number). (One thing we often want it to be is a source of safety [note the recurring theme] from grief.). Daniel — Thanks for delving into the meaning of this poem. 15 stanzas, 3 lines each, except the final one. praise song for walking forward in that light. A generous and careful reading of this quiet, careful and generous poem. We’re not even sure who we can talk to and who we should politely ignore. This is a very “poet” thing to say, which is part of the reason it irked me at first. I consider this to be the single most interesting stanza in the poem. Obama is a tough act to follow. hinking critically, analyzing evidence carefully, developing original and creative opinions and arguments, and most importantly, communicating effectively. Jewel-like colors, intricate patterns and the shifting intensity of light and dark combine beautifully to bring depth and texture to simple silhouettes of people, places and things. who laid the train tracks, raised the bridges. That someone struggling to “make music… with a pair of wooden spoons on an oil drum” (which is really all of us) can now launch into a rich and melodious praise song. We know we are about to “pause and shift.”. The poem is composed of fourteen stanzas of three lines each, plus one final stanza of a single line. The “ones” even have the audacity to claim that their way of seeing the world is superior, that we “need to see what’s on the other side.”. the course blog for eng L202 (cruz), spring 2009. Some live by love thy neighbor as thyself, I researched enough on African praise songs to get a vague sense of what they are all about and to discover that this poem doesn’t fall strictly into that form, but I really didn’t feel knowledgeable enough to discuss that angle at any length. As an Irish-American I gave my ancestors a role in her list of those who have built our country. (I’m not sure I’m any help on that last one.) Surely you’ve heard of the politics of grievance, very much at the heart of what concerns professors of African-American Studies these days? Alliteration in “make music.” I love lists like this in poems; they give detail and almost always contain a surprise. In fact, repetition of a word is itself a word choice, and many times a good one. Praise song for every hand-lettered sign, A moving poem broadens its potential impact with evocative, dreamlike illustrations from Caldecott Medalist Diaz. Even though Betita and her parents live in California, a “sanctuary state,” the seemingly constant raids and deportations are getting to be more frequent under the current (unnamed) administration. Alexander’s poem: an explication « Pmpoetry’s Weblog. others by first do no harm or take no more A close reading or poem analysis always begins with a cursory reading. a hole in a uniform, patching a tire, There are echoes of St. Paul’s “faith, hope and love, but the greatest of these is love” here. I think that Elizabeth Alexander is in fact taking possible codes to live and stacking them up against each other. That intense look at the present stirs up a more contemplative look at the past. (I am working from the poem as it appears on the Academy of American Poets website.). This explication and review has largely been a conversation with myself. eyes or not, about to speak or speaking. There is so much joy in this line. Categories: Aida Salazar, by This stanza is a big shift in the poem; it’s where we move from noise to singing, from repeating ourselves noisily to making new melody. Poems have “meanings” more than they have any single definitive meaning, “structures” more than simple architectures that can be neatly mapped out, even “voices” more than a single voice that can be consistently recognized. After all, it is the will of very few (some one) that has caused innumerable highways to be built over “bad” sections of town, where the already-marginalized make their homes. The flow slowly builds momentum out of the deep, contemplative pool as it builds urgency and hope, fixating on the prospect that “there’s something better down the road.” The poet snaps herself and us out of the daydreaming with a sharp command: “Say it plain: that many have died for this day.” The appropriate action is to remember, to sing the names of, our ancestors on this continent, and all they accomplished and suffered. PRAISE SONG FOR THE DAY A POEM FOR BARACK OBAMA'S PRESIDENTIAL INAUGURATION. Someone is stitching up a hem, darning Dusti Bowling I do object to the pretense that it is a transcendent, inclusive poem of a glittering new post-racial America that Obama spoke of at times and many Americans thought they were voting for. These lines concisely capture the greatest hardships of our current condition: not the alienation of the modern era, but rather something like alienation, a more postmodern problem. Rather, we experience it as flow—a flow of words, sounds, images, feelings, evocations, phrases, ideas. The pauses between words creates the effect of snapshots taken as we walk slowly, relfectively, together. We are talking about everyday experience. This list is all surprises in its diversity. CHILDREN'S POETRY We encounter each other in words, words Insightful and informative! It works like many contemporary American poems in this way—the first time through, all that happens is you fall for the sound and cadence and are moved by some of the images. In a PBS NewsHour interview last week, Ms. Alexander said she considered her reading of the poem as an opportunity to give the nation “the moment of pause and shift that a poet makes possible.” It’s fitting, then, that there is a lot of pausing and shifting in this poem. CHILDREN'S FAMILY ... "Praise song for struggle; praise song for the day./ Praise song for every hand-lettered sign;/ the figuring it out at kitchen tables." I think you’re right about the lettuce being a reference to Latino workers, just as laying train tracks is likely a reference to Chinese immigrants. I liked the figuring out at kitchen tables phrase, which really fits our worried times. This stanza may read differently in a hundred years, but in 2009, “where we are safe” calls terrorism to mind. We hear “picked the lettuce” and think of specific, back-breaking work. “Picked the cotton” is poignant because it is about much more than just any person in any field picking any cotton. repairing the things in need of repair. Possibility has piled up. We need to find a place where we are safe. We are working hard, repairing rather than consuming. A fourth grader navigates the complicated world of immigration. Say it plain: that many have died for this day. The economy, our culture, the whole world are all in need of repair. Nora is white while two characters seen in memories have brown skin. There is a quality of humility to this work which suits its subject and doesn’t bring outsized ego to the occasion. At any rate, “the things in need of repair” are hardly so concrete. love with no need to pre-empt grievance. by We have already seen the poet’s regard for words, earlier in the poem. And drank rapidly a glass of water, Enjambment and Allusions make a Mockery of Patriotism, Praise Song for the Day by Elizabeth Alexander. Her delivery of the poem was awful and following the orator that is Obama, it was a terrible choice. We walk into that which we cannot yet see. with cello, boom box, harmonica, voice. The love Alexander delineates may be beyond the conventional American loves of spouse, family and nation (the poem does not even mention America), but it certainly does not go beyond the categories of class and color.
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