43, Vol. Notated Music. Air- "Johnny fill up the bowl." Missouri History Museum. A second rich costume was of black brocaded silk and plain silk. For more information about our publications, please contact [email protected]. Several dress-makers have claimed the credit of making it, and various journals have spoken of it as imported from Paris. View. The wedding dress was the handsomest seen in New York since that of Nellie Grant, which was made by the same modiste. Privacy Policy / Terms & Conditions/ Cookie Policy. 7 N. 10th St., Phila. It consisted of an empress train and corsage of the richest brocaded white satin, with an apron of plain satin nearly covered with lace, pearl passementerie, and bouquets of orange blossoms. Highlights include: "A First Daughter’s White House Wedding: Etiquette Wars and a Celebration at Stephen Decatur's House:"Author Lauren McGwin looks at the complexities surrounding Maria Monroe's limited 1820 wedding invitation list. Mack, E. Nellie Grant's wedding march. The veil of lace, combining Venice and round point, was fastened with orange flowers. Citations are generated automatically from bibliographic data as Nellie Grant Wedding are carefully selected images to help inspire you for your big day. Mack, E. (1874) Nellie Grant's wedding march. Tune- "Dan Tucker." 1870 to 1885 collection is in the public domain and is free to use and reuse. A bouquet of dark red damask roses with buds of the yellow tea-roses is worn at the belt of this dress. Print (Form). When the boys come marching home. She was born on the Fourth of July 1855 at White Haven, her mother's family home near St. Louis, Missouri. A handsome costume with a jacket to match, for the street, was of plum-colored brocade and velvet, trimmed with bands of silk and velvet; a large gold buckle fastened the belt of this corsage, and another held up the drapery in the back. The lace and pearl trimmings on this dress were so rich that but few flowers were used, and these, according to the newest fancy, were all in bouquets instead of long garlands. One of the handsomest house dresses was a black silk made in princesse shape, with transparent sleeves entirely of mordore beads, alternating with clair de lune; one side gore was also covered with this beaded trimming, while the scarf apron fronts crossed each other and were fastened on one side of the train. This now celebrated event took place in the East Room on the twenty-first of May, 1874. The pretty postilion basque had a satin belt in front fastened on one side by a bow of ribbon with long ends. The dress in which the bride's mother accompanied her daughter to the altar was pearl-color, with an apron of gros grain, a brocaded Pompadour basque, and long princess back with flowing train. Box 006, Item 081. Retrieved from the Library of Congress,
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