4.
Ref: RBU2011.6913
, Scene 3/III: Detail of a personification of the Danube River (Danuvius) on the Column of Trajan.
Cast in the Museo della Civilta' Romana, Rome.
Compare: Cichorius Pl. 27. 24. Compare Cichorius Pl. Scene 78/LXXVIII: At the conclusion of the first Dacian War the winged goddess Victoria inscribes a record of Trajan's victory upon a shield. Ref: RBU2011.7034, Scene 34/XXXIV: Detail of a helmsman in leftmost ship of a Danube River scene. Trajan’s commemorative Column is, ironically, one of the best preserved and least accessible monuments left to us from the ancient city. Trajan supervises the construction of a Roman fort made of blocks of turf in this scene photographed directly from the Column. XXXVII-VIII, scene 51 and Coarelli Pl. Note how the standards break into the zone of the spiral above. LVI, scene 76 and Coarelli Pl.
From cast 140, now in the Museo della Civiltà Romana, Rome. Scenes 1/I and 2/II: On the northwest side of the Column on the lowest spiral we see sentries and watchtowers on the left, then the loading up of boats along the riverbank. 75. The relief as seen in situ.
RBU2013.3754. Compare Cichorius Pl. Take Trajan’s Column for a spin: Click the arrows at left for a guided tour,or explore on your own by dragging the images. Ref: RBU2011.7031, Scenes 34/XXXIV-35/XXXV: On the left,Trajan sails with the Danube fleet, presumably to assist the province of lower Moesia (Coarelli 2000: 78). LIV (scene 75) and Coarelli Pl. Note the Balearic holding a sling in cast 185. Scene 73/LXXIII: Trajan addresses his men within the walls of the camp (adlocutio). 64. At the top left a Dacian is pushed along by a soldier who grasps his hair.
From cast 101 now in the Museo della Civiltà Romana, Rome.
Compare Cichorius Pl. L, scene 70 and Coarelli Pl. Practice: Augustus of Primaporta . LII, scene 73 and Coarelli Pl. 30-31. Soldiers on horseback can be seen torching buildings (top, center).
Compare Cichorius Pl. Yet no sod blocks are visible . Compare Cichorius Pl. XXXI, scene 40 and Coarelli Pls. XVIII (Scene 24); cast no. XXIII, scene 31 and Coarelli Pl. Compare Cichorius Pl. This is a website dedicated to Trajan’s Column in Rome (inaugurated in AD 113) and based on Jon Coulston’s photographic archive. .
Compare: Cichorius Pl. Ref: RBU2011.6990. XLV: Nude and bound men are shown being tortured by women, the latter traditionally identified as Dacian women (war widows?) Scene 21/XXI: Two sentries, one (left) a legionary, the other an auxiliary, guard a Roman fort.
Compare Cichorius Plate XVI (Scene 21); Cast no. Small metal weapons were inserted into the hands of some figures on the frieze. Cichorius indicated a scene break at the center tree, although it appears that Trajan is receiving a report in a wooded zone from mounted scouts before him (cast #91). XXV, scene 33 and Coarelli Pl. Middle: the infantry. 75. Nobody seems to know for sure.
Cast in the Museo della Civilta' Romana, Rome.
Compare: Cichorius Plate X, Scene 9
Ref: RBU2012.9881
, Scene 9/IX: Detail of Trajan and his officers on Trajan's Column. The Column is the most influential and published single monument in Roman art and architecture, and the archive was initiated during study of the sculptural content of the marble reliefs from scaffolding, starting in the early 1980s and continuing into the future. Compare Cichorius Pl. 77-78. Ref: RBU2011.7052-60-composite, Scene 38/XXXVIII: Detail of the personification of Night, "Nyx. Among these are soldiers identified as German "allies" (symmachiarii); the center figure is carrying a club (from a Baltic tribe, the Aestii? 77. Skulls on poles lining the fortifications allude to Dacian atrocities against the Romans. 74. We can see the top of Scene 30/XXX below this scene, where Trajan gestures towards the image of a woman and child.
From the Column in situ.
Compare Cichorius Pl. Compare Cichorius Pl. A few Dacian stragglers are dispatched by Soldiers (lower left). Scene 20: We see Trajan again, surveying the work that goes on around him. XXIII, scene 30 and Coarelli Pl. Trajan addresses his troops from a raised platform of masonry or brick. Scene 67/LXVII: Detail of a Dacian wielding an axe or hatchet to chop at a tree in order to build a palisade.
From cast #171, now in the Museo della Civiltà Romana, Rome. IX, scene 6; Coarelli (2000) Pl. (Composite from seven photographs). 9.From the Column in situ. The typeface Trajan, designed in 1989 by Carol Twombly, uses letter forms based on this inscription, working from the research of Edward Catich. 11-12. The window visible at the bottom of the photo marks the SE axis of the Column (aligned with the long axis of the forum). To the right (Scene XXXII) Dacians assault a Roman camp. Casts 118-190: Trajan's Second Advance (first Dacian War). Scenes 70/LXX: Romans bringing up the rear) and their allies (the former shown with oval shields and bare chests- clibanarii- attack the Dacians, stepping over the bodies of the fallen enemy in the foreground.From casts 177-178, now in the Museo della Civiltà Romana, Rome. Scene 72/LXXII: The last battle of the First Dacian War goes badly for the Dacians and a cloaked native thows his hands out in despair.
From cast 186, now in the Museo della Civiltà Romana, Rome.

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