Sweet though in sadness. If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant … I bleed! He would be free already. Death and decay cannot come to an end instead it gives another birth to the world. Like Wordsworth's solitary reaper, Shelley stands alone, singing in a strange voice that inspires but perplexes traditional listeners. Shelley points out that the forest is already being played like a lyre, since the west wind makes a pleasing musical sound as it moves through the trees. All overgrown with azure moss and flowers One too like thee: tameless, and swift, and proud. '", Edgecombe, Rodney Stenning. We now recognize that poetic inspiration itself arises from a "wild", "uncontrollable,"; and "tameless" source like the wind, buffeting the mind's unconscious. Each like a corpse within its grave, until O wild West Wind, thou breath of Autumn's being,Thou, from whose unseen presence the leaves deadAre driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red,Pestilence-stricken multitudes: O thou,Who chariotest to their dark wintry bed, The wingèd seeds, where they lie cold and low,Each like a corpse within its grave, untilThine azure sister of the Spring shall blow. The wind is described as carrying seeds because it represents here as dead leaves, how the dead leaves are spreads over graveyard during the autumn season as the same this wind carrying the seeds to the grave like places in the ground, and those seeds will stay until the spring wind comes and revives them. If evenI were as in my boyhood, and could beThe comrade of thy wanderings over Heaven,As then, when to outstrip thy skiey speedScarce seemed a vision; I would ne'er have strivenAs thus with thee in prayer in my sore need.Oh, lift me as a wave, a leaf, a cloud!I fall upon the thorns of life! Thou dirge, Of the dying year, to which this closing nightWill be the dome of a vast sepulchreVaulted with all thy congregated might. Shelley likens himself to the forest in that his ‘leaves are falling’: he is withering away, but also growing older (mind you, he was only in his mid-twenties when he wrote ‘Ode to the West Wind’!). “If winter comes, can spring be far behind?” Birth and death is something the wheel of the human life because this is how God has created the world. I bleed! Pestilence-stricken multitudes: Shelley begins ‘Ode to the West Wind’ by addressing this wind which blows away the falling autumn leaves as they drop from the trees. The ode is written in iambic pentameter. Our notes cover Ode to the West Wind summary, themes, and analysis. If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share, The impulse of thy strength, only less free. Who am I to comment on the greatest, immortal poet! One too like thee: tameless, and swift, and proud. As things stand, he is not flying up: he is falling, and falling ‘upon the thorns of life’. O Wind, If Winter comes, can Spring be far behind? Checkout English Summary's free educational tools and dictionaries. Shelley concludes this opening section by calling the west wind a ‘Wild Spirit’ (recalling, perhaps, that the word spirit is derived from the Latin meaning ‘breath’, suggesting the wind) and branding it both a ‘destroyer’ and a ‘preserver’: a destroyer because it helps to bring the leaves down from the trees, but a preserver because it helps to disseminate the seeds from the plants and trees, ensuring they are find their way to the ground so they will grow in the spring. Of vapours, from whose solid atmosphereBlack rain, and fire, and hail will burst: O hear! No natural power inspires elegies or epitaphs. Yet even this compelling utterance, unifying so much complexity in an onward rush, can be summarized and analyzed. The sapless foliage of the ocean, know.
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