Reviewed in the United States on June 25, 2019. ", "[A]n unforgettable–indeed, gorgeous–novel, a book that seeks to affect its readers as profoundly as Little Dog is affected, not only by his lover but also by the person who brought him into the world.” —Viet Thanh Nguyen, TIME, “One of the most beautiful novels I have ever read, a literary marvel and a work of extraordinary humanity...truly a masterpiece.”, --Max Porter, author of Grief is the Thing with Feathers, “This is a courageous, embodied inquiry into the tangle of colonial and personal histories. A fragmented memory piece, written by a young poet. Ocean Vuong is the New York Times bestselling author of the critically acclaimed poetry collection Night Sky with Exit Wounds, winner of the Whiting Award and the T.S. In a year that seems to present new challenges for us at every turn, Julia Alvarez’s latest novel, Afterlife, has arrived at the perfect time. Your recently viewed items and featured recommendations, Select the department you want to search in, + No Import Fees Deposit & $9.63 Shipping to Germany. "Ocean Vuong is the Walt Whitman of Vietnamese American literature. “For what?” Vuong would say. [P]rose as radiant and assured as his poetry. In Western narratology, the plot is the dominant mode to which all characters are subordinate. Instead, he bravely embodies his otherness, or “monstrosity,” as Carson writes, through emotionally-informed aesthetic vision. I honestly really enjoyed this book. He would be content if his entire career is just one collection of poetry and one novel, and he is glad his mother got to see him succeed this much already. - The Academy of American Poets is the largest membership-based nonprofit organization fostering an appreciation for contemporary poetry and supporting American poets. We work hard to protect your security and privacy. It’s not clear what he means by where he’s from. I will forever be indebted, not only to this book but also David’s life and work. “This is our fast food, Little Dog. Thank you, Ocean Vuong, for entrusting us with this beautiful treasure. Reviewed in the United States on June 7, 2019. Vuong’s deeply felt work might just be the first great fiction of this modern, homegrown travesty. It is also a gorgeous argument for astonishment over irony—for the transformative possibilities of love.”, --Ben Lerner, author of Leaving the Atocha Station and 10:04, "Vuong writes with a clear beauty and insistence unlike any other writer working today. She’s going to die. The novel gave me courage to stop seeing historical trauma as something that has to be refurbished in order to achieve “fine art,” and more so that fracture, even incomprehensibility, can be a powerful conscious mode of storytelling, one that interrogates colonialist gauges of successful art-making without forsaking its central thrust: to tend and hold close the bodies expelled by canonical narratives. An inexhaustible classic. Ocean Vuong's book will leave you speechless and breathless, but aching for more! And listen to us on the Book Review podcast. event. This book shines as one of the most vital prehistories of how queer art is possible today and its impact is still felt all around you, even if you’ve never read it. On the wall, there is an LP of Frank Ocean’s “Blonde.”. But he understands. lê thị diễm thúy, The Gangster We Are All Looking For. Eliot Prize and Whiting Award. After the news of her health, Vuong considered canceling his book tour. (6/28/18). The poems are intensely personal, wrestling with Vuong’s understanding of his own race, queerness and memory. “Proximity builds tension.”. His first book, “Night Sky With Exit Wounds,” came out of work he began while a student at Brooklyn College. This book gave me the courage and power to write about Hartford, a city both haunted and adored by the specters of literary giants like Wallace Steven, Mark Twain, and Harriet Beecher Stowe. It gave me the confidence and determination to see Vietnamese American life as worthy and exceedingly beautiful in the project of literature. “On Earth We’re Briefly Gorgeous” may not have been written toward that sensibility, but Vuong knows most of his readers will arrive from there.
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