oil on canvas [1], Learn how and when to remove this template message, https://en.wikipedia.org/w/index.php?title=Pierrot_(painting)&oldid=966861221, Creative Commons Attribution-ShareAlike License, This page was last edited on 9 July 2020, at 16:49. The top half of Pierrot’s costume is awkwardly large; his sleeves are scrunched up several times. oil on panel Enter your email address to follow this blog and receive notifications of new posts by email. These canvas prints are provided without a frame. The subject of Pierrot (meaning an actor, masquerader, or buffoon) is unclear. Creator: Antoine Watteau (1684-1721), musée du Louvre. Pierrot, by nature, is sad; his emotions are meant to be written all over his face (and frankly I would be too if I had to wear that outfit). Curatorial Departments. Physical Dimensions: 184 x 149 cm. 36.4 x 28.2 cm It may have been a theatrical sign for a café or it could have been a sign for a fairground show. €22; Add to cart. A. This inkjet printing technique uses natural pigments that are highly resistant to light. The character depicted in the painting had been mistaken for another character, Gilles, from the Commedia. He perfected the art of drawing from life in three colors and his efforts in this genre are among the great achievements of French rococo art. Biography Books Stories Your data are collected with your consent and are intended for the Rmn-Grand Palais, which is the controller. -15%* on your first order. The painting depicts a number of actors portraying commedia dell'arte masks, with one as the titular character set in the foreground. ( Log Out / This inkjet printing technique uses natural pigments that are highly resistant to light. By the early 19th century, Pierrot belonged to Dominique Vivant, Baron Denon, the first director of the Louvre Museum; it later passed to the Parisian physician Louis La Caze, who had his collection bequeathed to the Louvre in 1869. An email has been sent with the promotional code to benefit from your welcome offer: The reproduction is rolled on itself and shipped in a rigid tube. Pierrot, formerly known as Gilles The Louvre, Jean-Antoine Watteau 18th Century. It … The Frick Collection, New York, Jean-Antoine Watteau Pierrot, formerly known as Gilles. Oil on canvas, 1718-1719 A. His role is that of the naive husband whilst his wife cheats with a devilish Harlequin. Musée du Louvre, Paris, Jean-Antoine Watteau Fine Art Giclée printing is done on special paper. The stock Commedia dell’Arte characters in the lower part of the painting give it an enigmatic air. Giclee print on Fine Art canvas mounted on a 2 cm thick wooden frame. Generally the character of Pierrot in the Commedia dell'Arte was staged to be the fool. Pierrot, the perpetually unlucky-in-love clown, and a stock figure in Italian commedia dell'arte theatre (his counterpart in the Comédie Française is Gilles), stands nearly life sized, encased in a costume of gleaming white satin. Thank you for signing up for the museum shops Newsletter. Aesthetic musings inspired by art from a fairly unqualified individual. A. Although Watteau’s immediate influences were French decorative painters like Claude Gillot and Claude Audran, his real influences were the Venetian poésie of Giorgione (ca. Jean-Antoine Watteau Fêtes Vénitiennes, 1718-19 They will be scrutinised the way we scrutinise this sad clown, and – like the character frozen between the picture space (his own world) and ours – the artist will be unable to add to or edit them, nor will he be able to clarify or justify himself. Such scenes became extremely popular and Watteau was admitted to the Académie as a ‘peintre des fêtes galantes’. It features a Pierrot, standing and dressed all in white. J. Paul Getty Museum, Los Angeles, Jean-Antoine Watteau Change ), You are commenting using your Twitter account. oil on canvas Furthermore, there are three “layers” of the painting: the audience to whom Pierrot gazes (the real world), Pierrot himself, and the background in which the other Commedia characters do not acknowledge him (Pierrot’s world). A Garden Party, ca. Change ), You are commenting using your Facebook account. Date Created: 18th Century. His dreamy expression challenges the viewer, raising questions about what he might be thinking. "Fine Art Giclee" print is commonly used for the professional reproduction of works of art. 1477/78–1510), Titian (1488/90–1576) and Paolo Veronese (1528–1588) as well as the mythologies of Peter Paul Rubens (1577–1640). Watteau’s earliest paintings are of military subjects such as La Porte de Valenciennes (Frick Collection, New York), which depicted French soldiers at rest or on the march. 1718/19 Pierrot is no exception. Do you ever look in the mirror at yourself and ponder about your life? Behind the mound of earth on which Pierrot stands are other commedia dell'arte characters, Pierrot's companions: the doctor on his donkey, the lovers Leandro and Isabella, and the captain. It shows fashionably dressed ladies and gentlemen pondering works of art in a gallery interior, filled with paintings and crates. A. The painting depicts a number of actors portraying commedia dell'arte masks, with one as the titular character set in the foreground. Painted in 1718-1719, this large painting is a major oeuvre by Antoine Watteau. This portrait of a poetic, dreamy Pierrot is an exceptionally large painting for Watteau. History of the Louvre. 185 x 150 cm The artwork will be printed in the dimensions you have selected and will take into account the white margin. Musée du Louvre, Paris. Shortly after painting this masterpiece Watteau died. The character depicted in the painting had been mistaken for another character, Gilles, from the Commedia. It may have been a sign for a café belonging to a former actor by the name of Belloni. Why does the painting have two names? The Tuileries and Carrousel Gardens Jean- Antoine Watteau: Pierrot, formerly known as Gilles (ca. Original Language: French. oil on canvas However, being in fairly poor health throughout his life, Watteau was conscious of his own mortality and even his party scenes are tinged with melancholy. Metropolitan Museum of Art, New York, Jean-Antoine Watteau Study and Research. Sold for £2,423,750 ($3,527,507)London, Christie’s, 13 December 2000, Important Old Master Pictures, lot 61, Five studies of children Sold for £817,875 ($1,240,708)London, Christie’s, 2 July 2013, Old Master & Early British Drawings & Watercolours, lot 57, 17 East 76th Street Pierrot formerly known as Gilles Story / Theme. Completed in the later phase of Watteau's career, Pierrot measures 184.5 by 149.5 cm, which makes up somewhat unusual case in the artist's body of work. La Surprise, 1718-19 His pantaloons, though, are too small and end above his ankles. Pierrot himself became more “refined” over time, even becoming symbolic of the stereotypical artist: alienated, sensitive, and frustratingly misunderstood. The final dimension includes the white margin. Now what time's Disney, again? Work takes into account the white margin. The viewpoint of this painting is slightly underneath the character, which puts him in a elevated position. Despite being ill for much of his adult life, Watteau was remarkably productive, painting around 200 paintings and making many more drawings. It features a Pierrot, standing and dressed all in white. Rmn-Grand Palais Paris, France, France. Completed in the later phase of Watteau's career, Pierrot measures 184.5 by 149.5 cm, which makes up somewhat unusual case in the artist's body of work. Oct 17, 2012 - Jean-Antoine Watteau, Pierrot, formerly known as Gilles, C. 1718-19. Top Auction Results for Jean-Antoine Watteau, La Surprise - A couple embracing while a figure dressed as Mezzetin tunes a guitar He is an artist whose works are on show, and after his death they are his legacy. The painting was originally titled Gilles but was later changed to Pierrot to … We have selected a 350 g / m2 specialty fine art canvas of exceptional quality. We offer a choice of three finishes: natural wood, wood covered with a dark brown varnish and wood painted black. Pierrot, formerly known as Gilles, 1718-19 Welcome to. 1719–21 oil on canvas 127.2 x 191.7 cm Wallace Collection, London. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Secure payment solution by Banque Postale, Our team is at your disposal to answer your questions and requests for information, Musée des châteaux de Versailles et de Trianon, Printed on mat paper Fine Art Special 260 g/m2. From these lowly subjects Watteau graduated to works of greater aesthetic and psychological refinement such as Les Fêtes vénitiennes (Scottish National Gallery, Edinburgh) and Les Charmes de la vie (Wallace Collection, London) both of which show groups of silk-clad men and women gathered in a park, conversing, flirting and playing music. Fine Art Giclée Print is commonly used for the professional reproduction of works of art. Coupled with Pierrot’s stance, this gives the impression that he has been thrust into the spotlight and has been caught unawares. Change ), You are commenting using your Google account. His masterpiece in this vein is the Embarkation for Cythera (musée du Louvre, Paris), and in its combinations of contemporary couples making love in an aura of a lost golden age epitomizes Watteau’s highly personal romantic vision. The reproduction will be shipped in protective packaging to be received in perfect condition. He was an accomplished musician as were some of his patrons who he included in these concerts champêtres in the Venetian tradition. Sold for £12,361,250 ($24,424,520)London, Christie’s, 8 July 2008, Important Old Master & British Pictures Evening Sale, lot 21, Le conteur The character is thereby taken out of his own context and brought to reality in a Pinocchio-like way, and he seems to be painfully aware of how out of place his costume, and he himself, are in the real world. A. Watteau is most remembered for his fête galantes, which depict the frivolity of the bourgeoisie, with all their pretty coloured dresses, silly romantic chases, and their parties out of doors in fanciful settings. New York NY 10021+1 212 772 9100 [email protected], National Galleries of Scotland, Edinburgh, London, Christie’s, 8 July 2008, Important Old Master & British Pictures Evening Sale, lot 21, London, Christie’s, 13 December 2000, Important Old Master Pictures, lot 61, London, Christie’s, 2 July 2013, Old Master & Early British Drawings & Watercolours, lot 57. Pierrot, dit autrefois Gilles €22; Add to cart. We offer a choice of three finishes: natural wood, wood covered with a dark brown varnish and wood painted black. Wallace Collection, London.
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