If you look around in the Punta della Dogana, you will notice that the concrete walls are placed far from the original brick walls. If you would like to stay in this area during your trip to Venice, I recommend the Sina Centurion Palace along Canal Grande. The triangle building used to be the Dogana da Mar or the customs office of Venice. Don’t miss a thing of the Regata Storica’. François Pinault won the tender for a lease of 33 years, with a design from the Japanese architect Tadao Ando. The new galleries follow the arrangement of the original bays. Now it’s time to cross the Dorsoduro area to the west side. I will use a 20th century material, reinforced concrete, fitting it into this historic structure. In the days when Venice was a major commercial center, the Dogana da Mar, the Customs House of Venice, built by Benoni about 1677, controlled access to the Grand Canal and the San Marco docks. Institute for Contemporary Art / Steven Holl Architects, Centro Botín / Renzo Piano Building Workshop. The woodwork that separates the corridor from the auditorium is a real gem. [2] Adjacent to each other are the Dogana da Mar, Patriarchal Seminary, and Santa Maria della Salute. Inviting visitors to enter simple and evident spaces of dialogue, where they all are able to create joint works of art. INSIDER TIP: More details and plenty of pictures of the renovation project can be found in the book ‘Tadao Ando Venice: The Pinault Collection at the Palazzo Grassi and the Punta Della Dogana’. In June 2009, after 14 months of work, Punta della Dogana reopened to the public. At the beginning of the 20th century, the vaporettos were put into service but they couldn’t pass underneath the flat iron bridge. The Venice Insider is a travel guide for frequent visitors to Venice. Prominently situated outdoors on the very tip of the Punta della Dogana is an eight foot tall sculpture by Charles Ray, Boy with Frog, which has already become a signpost for Venice’s newest contemporary art space. He wanted to add concrete walls to create a modern appeal, but these cannot bend. They are set on unstable soil and constantly move with the water. This restaurant is located further down the Fond. As you were browsing, something about your browser You will find the, The most beautiful part of Ca’Foscari is the, The Ca’Foscari university is a public institution, so you can explore the courtyard and entrance for free. The Accademia bridge is in urgent need of restoration. Now it’s time to cross the Dorsoduro area to the west side. Jump to Ponte dell’Accademia – Zattere – Punta della Dogana – Ca’Foscari. The pool was in use until the 1950s. Venice played a very important role in the trading of salt and even constituted a monopoly. “Luogo e Segni” is an itinerary through some inner geography where nature, creation and poetry intertwine, and draws particular inspiration from the writings of the poet and artist Etel Adnan, with whom many artists on display share a very strong connection. If you want to know more about the architecture in Venice, you might be interested in one of these books from my list ‘The architecture of Venice captured in 8 books’. DID YOU KNOW? It took however until 1854 before Venetian citizens were able to cross the Canal Grande here. [5] The renovation cost was €20,000,000. And finally, also the Giudecca island is officially part of Dorsoduro. Then there is Roni Horn’s installation Well and Truly, which offers us “the peace and quiet to imagine” a new azure. [6][9], "Venice vs. Huck Finn's Frog: A Contemporary Quest For True Civilization", "The Other Biennale | Punta della Dogana", https://en.wikipedia.org/w/index.php?title=Punta_della_Dogana&oldid=981669302, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 October 2020, at 18:52. In June 2009, Punta della Dogana reopened to the public and since then has been presenting temporary exhibitions[7] of the Pinault Collection: Complex's Elisa Carmichael called Punta della Dogana's Prima Materia show of about 80 works from the Pinault Collection an "absolute must-see" outside of the 2013 Venice Biennale. Surrounded by water and located at the point of confluence of the Grand Canal and the Giudecca Canal, the building is constantly changing in relation to the time of day, the light, the sky, the sea, the wind, the rain, and the seasons. © The Venice Insider - Images and texts may not be used without permission. The memory of the exchanges between Roni Horn and Felix Gonzalez-Torres introduces one of the principal leitmotivs of “Luogo e Segni”: that of the relations of friendship, love, inspiration, admiration and dialogue (whether real or simply dreamed of) between artists. Ten years after its opening, the seventh exhibition at Tadao Ando’s creature is titled “Luogo e Segni” (place and signs, ed.). At the meeting point of the Grand Canal and the Giudecca Canal in Venice is a triangular plot of land, the Punta Della Dogana. Salt was a major contributor to the economic and financial power of La Serenissima and was called the ‘white gold’. The view on Canal Grande from the Aula Baratto. In 1936, the Venetian architect Carlo Scarpa (see post: Explore Venice in the steps of Carlo Scarpa) transformed it into the main auditorium of the university. [2], Inside of Punta della Dogana after renovation, Close-up of tip of Punta della Dogana, where Dogana da Mar, the Grand Canale, and the Giudecca Canal touch. In the 12th century, Venice was supplying salt to a number of nearby Italian cities. Dogana da Mar's stuccoed brick exterior was restored without additions, and is the only part of the original structure left intact. The triangle building used to be the Dogana da Mar or the, In 2007, after it had been abandoned for 20 years, the Venice city council launched a tender to transform it into a, One of the constraints which Tadao Ando had to take into account was the need for flexibility of Venetian buildings.

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