. Zapruder is a brainy and passionate advocate." The poet gives up certain things prose does, in exchange for something else. Has your answer to the question, "Why Poetry?" After the election, in frustration and confusion and despair, I started to write something just to clear my head, that became an essay and eventually the afterword to Why Poetry. I do feel quite strongly that given the current state of thinking and discussion about poetry, that unless we open up these questions in some more interesting ways, people just aren't going to be having very worthwhile reading experiences. But I also believe that meaning-making is inextricably, thankfully, bound up in the effects of poetry. Prime members enjoy fast & free shipping, unlimited streaming of movies and TV shows with Prime Video and many more exclusive benefits. I needed to write clearly and directly, and answer the questions that so often come up from general readers about poetry, without ever talking down to anyone, or being reductive, or oversimplifying. I think if people don't know why poets do those things, they don't know how to read or react to them. If Zapruder does not quite succeed in convincing readers that poetry differs entirely from other writing genres, his analyses of a wide range of individual poets, including Robert Hass, John Keats, Audre Lorde, W.S. In it, I try to make the argument that it is not only possible, but necessary, to preserve a free space inside oneself for the imagination. Oddly though, there is one whole chapter in the book devoted to a literary theoretical concept, Viktor Shklovsky's defamiliarization, because it's an incredibly useful way to think about poetry. Do you think it's worthwhile to engage that mindset?Matthew Zapruder: It seems to me if you like some poems, there are other poems and poets you will like as well. But it's also true that we have bigger problems than bad political poems!Travis Nichols: This is what Ann Coulter calls "virtue-signalling," performing the role of right-thinking hero for the right-thinking audience. To find those truths and bring them back for others is the role of the artist. I found myself thinking, 'Gosh, I never saw that obvious thing in quite that way before,' many times during my reading, which is precisely what should happen when reading about literature: We are humbled by its operations on our own minds and the need for others to read with us. Her lines echo and rewrite Yeats's famous formulation that "we make out of the quarrels with others, rhetoric, but out of the quarrels with ourselves, poetry." I just think meaning-making works differently in poetry than in prose. Reviewed in the United Kingdom on 24 April 2018, A very interesting approach and one that is needed now as poetry reveals truths concealed by prose. Only if you are pure of spirit will you be able to understand!" Matthew Zapruder is the author of four collections of poetry, most recently Come On All You Ghosts, a New York Times Notable Book of the Year, and Sun Bear, Copper Canyon 2014, as well as Why Poetry, a book of prose, from Ecco Press in August 2017. This creates an enormous set of possibilities for the poet. changed in the past year?Matthew Zapruder: I don't think it's self-indulgent, or ridiculous, though I can certainly understand feeling that way, and often do myself. Is it designed primarily to be purchased and read by students being introduced to the reasons for and methods of reading poetry? That's how Wallace Stevens talked about poetry, and I write quite a bit about Stevens's ideas in my discussion of the Ashbery poem. This is still the case. There's a problem loading this menu at the moment. If my book is able to bring readers closer to more poems, to help them find deep meaning in those poems according to their own particular interests, preferences, and proclivities, then I will have succeeded. Was it a struggle to write this way about something that does, as you say, bring us out of our everyday experience into magical realms?Matthew Zapruder: Please tell me you actually put on robes and light incense before you read poetry. In lively, lilting prose, he shows us how that misunderstanding interferes with our direct experience of poetry and creates the sense of confusion or inadequacy that many of us feel when faced with a poem. As far as whether it was hard, the answer is yes, but not because I was tempted to write in jargon or using literary theory. I am so out of the loop with contemporary criticism and theory that I feel like a golden retriever trying to mail a letter articulating this, so bear with me, but I feel like there is a way of talking about art that primarily foregrounds the cultural and socio-economic context of the art-making process rather than the end product. Ending with a politically charged afterword, 'Poetry and Poets in a Time of Crisis,' this passionate book, aimed at would-be poets, would work well both in a college classroom and in the hands of ordinary readers. © 1996-2020, Amazon.com, Inc. or its affiliates.

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