The myrtle of Venus with Bacchus’s vine. Cry’d, Sic evitabile fulmen, you know! You’ve the sanction of gods, and the fiat of Jove. The myrtle of Venus with Bacchus’s vine. The devil a goddess will stay above stairs. — CHORUS —, The news through Olympus immediately flew; We sang the final verse as a group in response both to the text and a stage direction from an 18c. A few sons of harmony sent a petition, I’ll lend ye my name, and inspire you to boot, To Anacreon, in Heav’n, where he sat in full glee, May our club flourish happy, united, and free! And swore with Apollo he’d cheerfully join — Star Spangled Cantata—Michael Gandolfi’s Chesapeake: Summer of 1814, “The Anacreontic Song”—British Source Tune for the U.S. National Anthem, Star Spangled Cantata—Michael Gandolfi’s Chesapeake: Summer of 1814 | O Say Can You Hear, Renée Fleming Brings Opera to 100 Million at Super Bowl XLVIII, The Making of Chesapeake: Summer of 1814 — An Interview with Director & Designer Anne Patterson, Tears Bursting in Air: Michael Gandolfi’s 4-Verse Setting of “The Star-Spangled Banner.”, Complete Lyrics to Francis Scott Key’s Song “The Star-Spangled Banner”. — CHORUS —, The yellow-hair’d god, and his nine fusty maids, The myrtle of Venus with Bacchus’s vine. Hark! The myrtle of Venus with Bacchus’s vine. An anthem of The Anacreontic Society, an amateur musician’s fraternity, the song was performed by the club’s president and is thus most appropriately realized in a semi-trained “operatic” styled voice. And the biforked hill a mere desert will be. From Helicon’s banks will incontinent flee. — CHORUS —, Next Momus got up, with his risible phiz; Cry’d Jove, We relent, since the truth you now tell us; Change ), You are commenting using your Google account. And dam’me! Change ), You are commenting using your Twitter account. play discussed by Sonneck that parodied the Anacreontic Society with a similar anthem. already they cry in transports of joy. So my sons from your crackers no mischief shall dread, Change ). “The Anacreontic Song,” or “To Anacreon in Heaven” with words by Ralph Tomlinson and music by John Stafford Smith is the source for the tune Francis Scott Key had in mind when he composed the lyric “In Defence of Fort McHenry” to celebrate the surprising and heroic victory of American troops stationed at Fort McHenry and aided by the people of Baltimore against the British Fleet on 14 September 1814. ( Log Out / Voice, fiddle and flute, no longer be mute. Writing of 11 December 1773, he recalls: ‘Tis your’s to support what’s so happily plan’d; — CHORUS —, Pingback: Star Spangled Cantata—Michael Gandolfi’s Chesapeake: Summer of 1814 | O Say Can You Hear. Idalia will boast but of tenantless shades, When this answer arrived from the jolly old Grecian — (Full lyric below.). I’ll swing the ringleaders, I warrant. Thus, we’ve repeated that gesture here. He’d be 234-years old today, looking forward to his anthem’s bicentennial. That the tune was intended for solo performance by an experienced vocalist helps explain why many complain today that “The Star-Spangled Banner” is difficult at best to sing. And, besides, I’ll instruct you, like me, to entwine, — CHORUS —, Apollo rose up; and said, Pr’ythee ne’er quarrel, For more on “The Anacreontic Song” and its reputation as a drinking song, see my earlier post on the topic. But the song, and the catch, and the laugh shall be mine; To my knowledge the video and recording above is the first attempt to try to recreate a performance as it might have been experienced at a meeting of London’s Anacreontic Society. ( Log Out / The full tide of harmony still shall be his, “The Anacreontic Song,” or “To Anacreon in Heaven” with words by Ralph Tomlinson and music by John Stafford Smith is the source for the tune Francis Scott Key had in mind when he composed the lyric “In Defence of Fort McHenry” to celebrate the surprising and heroic victory of American troops stationed at Fort McHenry and aided by the people of Baltimore against the British … Away to the Sons of Anacreon we’ll fly… Enter your email address to follow this blog and receive notifications of new posts by email. When Old Thunder pretended to give himself airs — This performance is realized from its first 1779 imprint, published by London’s Longman and Broderip and a copy of which is held by the University of Michigan’s Clements Library. And long may the sons of Anacreon entwine, Turns out the tune was never intended for mass singing. Anacreontic Song (2) Anacreontic Song (2) (Ralph Tomlinson) To Anacreon, in Heav'n, where he sat in full glee, A few sons of harmony sent a petition, That he their inspirer and patron would be; When this answer arrived from the jolly old Grecian -- Voice, fiddle and flute, No longer be mute. And swear by Old Styx that they long shall entwine, If these mortals are suffer’d their scheme to pursue, Your thunder is useless — then, shewing his laurel, Here the actors were instructed to literally join hand in hand in imitation of the Society. ( Log Out / Then, Jove, be not jealous of these honest fellows. My Thunder, no fear on’t shall soon do its errand, While thus we agree, our toast let it be. Whilst snug in their club-room, they jovially twine, Good King of the gods, with my vot’ries below! — CHORUS —, Ye sons of Anacreon, then, join hand in hand; On this day in 1843, Francis Scott Key passed away. I’ll trim the young dogs for thus daring to twine, The myrtle of Venus with Bacchus’s vine. Then over each head my laurels I’ll spread; That he their inspirer and patron would be; Change ), You are commenting using your Facebook account. And there with good fellows, we’ll learn to entwine, Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. ( Log Out / An early reference to the Anacreontic Song is found in the long-unpublished journals of gentleman-composer John Marsh (1752-1828). The myrtle of Venus with Bacchus’s vine. Preserve unanimity, friends and love. The precise date that this club anthem of London’s Anacreontic Society was written is unknown (at least to me), but it was likely in the 1760s or early 1770s.
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