No one is quite sure where poetry comes from, no one is quite sure exactly what it is, and no one knows, really, how anyone is able to write it.The Greeks thought, or at least said, that it came from the Muse, but in our time no one has been able to find her. You may be moved by the West Wind, but until the words come to you "O wild West Wind" the inspiration is still in an early, pre-verbal phase. The New Republic 13 Mar. Sometimes it's hard. It constitutes, along with thoughts and feelings, what may be called the raw materials of poetry. The experience you get from reading poetry is not exactly like any other. Words already have meanings and ways of being put together to get something across. "Wise Guy." He also released a book of short stories, Hotel Lambosa (1988), loosely based on and inspired by his world travels. The Greeks thought, or at least said, that it came from the Muse, but in our time no one has been able to find her. His first wife died in 1981; Koch married his second wife, Karen Culler, in 1994. I thought it worth taking literally and seeing where it might lead; I thought it might explain something important about how poems are written and how they can be read. The Nation (2006): 28-32. Valéry let it go at that; he went on to talk about other things. 21 Sept. 2006 . In this (poetry) language, it's true that "two and two are rather green" has little or no meaning (or existence), but "two and two are rather blue" does have some. Koch won the Bollingen Prize for One Train (1994) and On The Great Atlantic Rainway: Selected Poems 1950-1988 (1994), followed closely by the Phi Beta Kappa Poetry Award winner New Addresses (2000), possibly his most accessible work of poetry. It's a huge medium, so much larger than any possible palette or keyboard that comparison seems foolish.Given such a medium, it is hard to imagine not wanting to play with it, to experiment to see what might be said with it, to take its powers, as it were, into one's own hands. 3 Oct. 2006. One main trouble with "finding" such meaning when they're not really there is that they end up hiding what really is there. It can change you a little and add to what you know and are. One is thinking of that kind of consequence when one writes or reads poetry.Music contributes to "sense" in various ways -- in this Herrick poem, for example the rhyming of laid and maid:In this little urn is laidPrudence Baldwin (once my maid)From whose happy spark here letSpring the purple violet. It also analyzes reviews to verify trustworthiness. I don’t remember clearly that time in my childhood when to speak was an adventure, but I’ve seen it in other children; and I do remember the first year I spent in France, when to speak the French language gave me the same kind of nervous sense of possibility, ambition, and excitement that writing poetry has always done. Koch taught poetry at Columbia University, where his classes were popular among students in and out of his department. This analogy was fine for the initial pleasure part but not descriptive of what happens later, since in writing poetry you really do have to work, to make some kind of sense, and to bring things to a conclusion, which you don't usually have to do at a party.A poet learns the language of poetry, works in it, is always being inspired by it. None of these is of much practical consequence but has an aesthetic consequence in that it gives pleasure and insight or does not. Koch described their poems as “Written by the men with their eyes on the myth/ And the missus and the midterms…” Indeed, it could be said that Koch, a mix of comedy and the ironic, attacked the idea that poetry should be in any way stale. His prose work is highlighted by The Red Robins (1975), a sprawling novel about a group of fighter pilots flying for personal freedom under the leadership of Santa Claus. These you can look up in a dictionary or encyclopedia or ask someone about. He acknowledged this in an interview and offered his comments: “I don’t think the nature of my poetry is satirical or even ironic, I think its essentially lyrical...The comic element is just something that it seems to me enables me to be lyrical in the same way – not to compare myself qualitatively to these great writers – but in the same way that it enables Byron to write his best poetry and certainly Aristophanes and certain others too.”. Prize-winning author Kenneth Koch published numerous collections of poetry, avant-garde plays, and short fiction while also serving as one of the nation’s best-known creative writing teachers during a career that spanned over five decades. And that it becomes more important to you to get those things right than to make sure somebody else understands them. In 1951 he met his first wife, Janice Elwood, at UC Berkeley; they married in 1954 and lived in France and Italy for over a year. Koch, writing against proper poetry, received the label by some as just a comedic poet. Purging poetry of its domination and oppression, Koch freely wrote of how: Though not against Eliot, Koch opposed the idea that in order to write poetry one had to be depressed or think that the world is a terrible place.

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