/Count 19 /Style One must have memories of many nights of love, none of which was like the others, of the screams of women in labor, and of light, white, sleeping women in childbed, closing again. /S /URI /Ascent 928 EMBED (for wordpress.com hosted blogs and archive.org item tags) Want more? /Registry (Adobe) /Type /Annot I want to read The Notebooks of Malte Laurids Brigge by Rilke but there are so many translations that and no good articles (besides one comparing Mitchell's and Pike's translations). The Notebooks of Malte Laurids Brigge by Rilke, … Cookies help us deliver our Services. Only when they are become the very blood within us, our every look and gesture, nameless and no longer distinguishable from our inmost self, only then, in the rarest of hours, can the first word of a poem arise in their midst and go out from among them. << endobj /GxDYNQ 31 0 R But one must also have been beside the dying, must have sat beside the dead in a room with open windows and with fitful noises. endobj And still it is not yet enough to have memories. 39 0 obj Even the entry about Rilke in Olive Classe's Encyclopedia of Literary Translation Into English barely mentions the Notebooks, and says nothing about the quality of the three translations that were available at the time it was written. Advanced embedding details, examples, and help! All I have heard is that Pike's is more accurate to the German but Mitchell's is more readable. endobj share. /CropBox [0 0 612 792] But it is still not enough to have memories. /BaseFont /DejaVuSans And it is still not enough to have memories. endobj /JxDYNT 32 0 R %PDF-1.4 /Filter /FlateDecode >> Buy. New comments cannot be posted and votes cannot be cast, More posts from the suggestmeabook community. /Rect [50 248 395.34 233] /DeSaBoDYNL~1428063306 27 0 R endobj /DeSaDYNO~1428063306 22 0 R Buy, Apr 06, 2011 This is the definitive, widely acclaimed translation of the major prose work of one of our century’s greatest poets — "a masterpiece like no other" (Elizabeth Hardwick) — Rilke’s only novel, extraordinary for its structural uniqueness and purity of language. << /MissingWidth 1735 /Length1 118252 For the sake of a single poem, you must see many cities, many people and Things, you must understand animals, must feel how birds fly, and know the gesture which small flowers make when they open in the morning. /BaseFont /DejaVuSans /MediaBox [0 0 612 792] /Kids [2 0 R 3 0 R 4 0 R 5 0 R 6 0 R 7 0 R 8 0 R 9 0 R 10 0 R 11 0 R 12 0 R 13 0 R 14 0 R 15 0 R 16 0 R 17 0 R 18 0 R 19 0 R 20 0 R] /Descent -235 For it is not the memories in themselves that are of consequence. Obsessed with death and with the reality that lurks behind appearances, Brigge muses on his family and their history and on the teeming, alien life of the city. (I'm fascinated by the differences between the translations as well.) /MaxWidth 1735 But one must also have been with the dying, one must have sat in a room with the dead with the window open and random noises coming in. /HelvDYNU~1428063306 23 0 R /Type /Page >> One must be able to forget them when they are many and one must have the immense patience to wait until they come again. /URI (http://muse.jhu.edu/journals/mod/summary/v020/20.4.tobias.html) One must be able to think back to paths in unknown regions, to unexpected meetings and to partings one long saw coming; to childhood days that are still not understood, to parents one had to hurt when they brought one a joy and one did not understand it (it was a joy to someone else); to childhood illnesses that set in so strangely with so many profound and heavy transformations, to days in quiet, muted rooms and to mornings by the sea, the sea altogether, to nights travelling that rushed up and away and flew with all the stars; and if one can think of all that, it is still not enough. You must be able to forget them when they are many, and you must have the immense patience to wait until they return. The Notebooks of Malte Laurids Brigge Item Preview remove-circle Share or Embed This Item . But you also have to have been with the dying, have sat with the dead in the room with the open window and the intermittent noises. Determine it yourself if possible, or, in case of doubt, give me two places to choose … /ItalicAngle 0 I've just done some searching, and you're right, there really isn't any criticism or comparison of this novels English translations. /HelvDYNN~1428063306 28 0 R << ): To write one line of verse you need to see many cities, people, and things, you have to know the animals, you have to feel how the birds fly, and know the gesture with which the little flowers open in the morning. One must be able to think back to roads in unknown regions, to unexpected meetings and to partings which one had long seen coming; to days of childhood that are still unexplained, to parents that one had to hurt when they brought one some joy and one did not grasp it (it was joy for someone else); to childhood illness that so strangely began with a number of profound and grave transformations, to days in rooms withdrawn and quiet and to mornings by the sea, to the sea itself, to seas, to nights of travel that rushed along on high and flew with all the stars-and it is not enough if one may think all of this. /FontFile2 40 0 R If there are a great many, one must be able to forget them, and one must have the patience to wait until they return. Born in Prague, he published his first book of poems, Leben und Lieber, at age 19. /Type /FontDescriptor You have to have memories of many nights of love, each unlike the others, of the cries of women in labour and of soft, white, sleeping women who have just given birth and are closing up again. But one must also have been with the dying, have sat by the dead in the room with the open window and the spasmodic noises. One must know the animals, one must feel how the birds fly and know the gesture with which the small flowers open in the morning. << Only when they become part of our blood, every glance and gesture, nameless and no longer distinguishable from our very selves, only then can it happen that, in one of those rarest of hours, the first word of a line of verse arises in their midst and emanates from them. /CapHeight 932 | ISBN 9780679732457 But one must also have been beside the dying, one must have sat beside the dead in the room with the open window and the fitful noises. >> << Every translation comparison I've found focuses on the poems, his prose doesn't get much attention at all. Only when they have changed into our very blood, into glance and gesture, and are nameless, no longer to be distinguished from ourselves--only then can it happen that in some very rare hour the first word of a poem arises in their midst and goes forth from them. But you must also have been beside the dying, must have sat beside the dead in the room with the open window and the scattered noises. /XObject >> We are experiencing technical difficulties. Just to say that it's not only the OP who's awed by the trouble you went to. The Notebooks of Malte Laurids Brigge is Rilke’s major prose work and was one of the earliest publications to introduce him to American readers. One must be able to forget them, if they are many, and have the great patience to wait for them to come again. For it is not the memories themselves. /JxDYNK 30 0 R I am wondering if anyone has read the new translations (Michael Hulse- Penguin Classics and Robert Vilain- Oxford World Classics) or the old ones (Mitchell- Vintage and Pike- Dalkey Archive) and can tell me which one is best. << /Contents [33 0 R 34 0 R 35 0 R 36 0 R 37 0 R] 22 0 obj /StemH 0 endobj 40 0 obj /HeItDYNP~1428063306 26 0 R << And it is not yet enough to have memories. /Ordering (Identity) On The Notebooks of Malte Laurids Brigge Rochelle Tobias Rilke received the galley proofs for The Notebooks of Malte Laurids Brigge in March 1910 and in anticipation of the page proofs that were to follow, he wrote his editor Anton Kippenberg, “Please let me indicate in the page proofs where the first volume should end. /DeSaDYNM~1428063306 29 0 R Rainer Maria Rilke (1875–1926) was one of the greatest lyric German-language poets. Flag this item for. >> >> /Length 47204 Nov 27, 1990 Only when they have turned to blood within us, to glance and gesture, nameless and no longer to be distinguished from ourselves--only then can it happen that in a most rare hour the first word of a poem arises in their midst and goes forth from them. 21 0 obj /Subtype /Link Many of the themes and images that occur in Rilke’s poetry can also be found in the novel, prefiguring the modernist movement in its self-awareness and imagistic immediacy. /HelvDYNR~1428063306 25 0 R By using our Services or clicking I agree, you agree to our use of cookies. /Parent 1 0 R /ProcSet [/PDF /Text /ImageB /ImageC /ImageI] No_Favorite. One must be able to return in thought to roads in unknown regions, to unexpected encounters, and to partings that had been long foreseen; to days of childhood that are still indistinct, and to parents whom one had to hurt when they sought to give one some pleasure which one didn't understand (it would have been a pleasure to someone else); to childhood's illnesses that so strangely begin with such a number of profound and grave transformations, to days spent in rooms withdrawn and quiet, and to mornings by the sea, to the sea itself, to oceans, to nights of travel that rushed along loftily and flew with all the stars--and still it is not enough to be able to think of all this. /Supplement 0 /FontDescriptor 39 0 R >> /Subtype /Type0 EMBED. /HelvDYNS~1428063306 24 0 R >> /W [0 [600] 3 [317] 43 [751] 45 [294] 51 [603] 56 [731] 69 [634] 71 [634 615] 75 [633 277] 78 [579 277] 81 [633 611 634] 85 [411 520 392 633 591] 92 [591]] One must be able to forget them when they are many, and one must have the great patience to wait until they come again. << In order to write a single line, one must see a great many cities, people and things, have an understanding of animals, sense how it is to be a bird in flight, and know the manner in which the little flowers open every morning. x�����T���类sN���J��Lw �8!�h "*"�@����""*A�h�tDD�����Bl�!J�Qi���"U�u�k�x���gm%+vսw�׹���r)��j�jP�ˮ�tV��U7�W�+W�ٜ�9������MJ�jW̺��kN�3M�Z����+g�př���\}�*�s��NU�ϝ�\?�?�*�BpS�U�NN��{]u������֎��%�f��KϞqf�r=�V�c6_}���z�e^�\��ߧr���|֏�o�__��q~̀�����~��~w�_����Z���n���v�[�_��v��n8�ἆ �4\�pKÒ��7����%�"c���F��eZ���I�h3k2f�oN4g���?���7���N��s�;�}�=�^`�i/������gW�'�����6���{����"GV��ĉ�����I+989&9-yGrE�����ǩ3SsR+Ӊt1�/}azZ���M��;�N�-S�&����Q��d/�^���}.�5۞�W�@�+[�M�]�[�[�{>�9���;�r�}���g�G���/.F�G��r�o�W��s���ˋ��(~Z����W��ϛW6oj�K�'%O�W*��.�*�-�/M*-/=]z����Qi�����}Z��w��߻��n��rL���U-�[��ѧW�q}��{kkS�孿���/ӯ�_�Q�5��3�F���v~�̶{�*�J��i��+�Uί\Y����roe]�~�Ά����V5�?���R\=�:�zN���S�]���_T�p�X�];R���S��YQ��_:���m8�{Qì�`�6.

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