But those look great at your accountant’s office. Hockney uses the subjects, the objects, and his own style to recreate a mundane scene that invites both strangers and friends of the couple to ponder their dualistic home that stands as both a residence and gallery. The woman is facing the viewer head-on with one arm holding the other to her side. But then look at the later portraits, from the last 10 years - amazingly awful, as if Hockney was pretending to be incompetent. These double portraits were not commissioned, rather they were done purely out of the interest of the artist. Together both the objects and the subjects make up a simple composition of carefully balanced formal elements. We know that Hockney can paint traditional portraits: here is a good example from Mark Hayden’s Artchive: Mr and Mrs Clark and Percy.. The simple monochromatic objects differ from the very lively totem pole. Marcia Weisman, Collector, 73; Supporter of Major Art Museums. The Weismans were divorced in 1979 and split the collection. These offer unrivaled, almost cinematic, insights into the mood and culture of this transitional decade in American history. [1] The painting is currently in the collection of the Art Institute of Chicago. American Collectors (Fred and Marcia Weisman), 1968 Acrylic on canvas 84 x 120" Art Institute of Chicago Besides her brother, she is survived by a sister, Evelyn Simon Prell; two sons, Richard and Daniel; a daughter, Nancy, and two granddaughters. Started by former Firedoglake staff in 2015. David Hockney is a famous British artist who at the time had also made a name for himself in America. Vertical lines play a large role in the makeup of the piece. Collecting is a matter of taste. Beginning in 1952 the Weismans amassed one of the finest private collections of modern art in the country at their home in Beverly Hills, Calif. One of England’s most versatile and inventive artists of the postwar era, the painter, printmaker, set designer, and photographer David Hockney settled in Los Angeles in 1964. Enjoy your retirement Ed! These are people without depth or persona. Why are we fascinated by paintings of people even when some contemporary portraits are so breathtakingly inept. [8] The subjects of the American Collectors painting are a woman and a man who display very different body language. The home not only functions as a living space but also thrives as a kind of gallery and showcase for the art. [3], The piece has been displayed at the National Portrait Gallery[4] and the Royal Society of the Arts.[5]. Take a portrait called American Collectors currently on show in the Hockney retrospective at the National Portrait Gallery. There is also this sense of pride as she stands amongst her collection of art pieces. One of England’s most versatile and inventive artists of the postwar era, David Hockney settled in Los Angeles in 1964. The painting is seven by ten feet tall which could cover the entirety of a small wall. American Collectors (Fred and Marcia Weisman) is a 1968 painting by British artist David Hockney. "David Hockney: A Taste for Los Angeles. Read the notice that tells you the old woman in the very last painting (Hockney's cleaning lady) is supposed to be pregnant and reel with incredulity. Jun 4, 2012 - David Hockney, 1968. ", "David Hockney Artist Overview and Analysis. The painting was eventually on loan at the Pasadena Museum of Art in Germany. At first blush, that doesn’t seem to be happening. I've always liked the quip, but wonder if it still holds good today - if people really care about the truth of a portrait. This specific subject matter was centered around this theme of relationships. They converted the pool house into a small museum in the back yard where they display things that don’t fit in the main house. The painting was private and given to Mr. and Mrs. Weisman after Hockney had made it for them. One of England’s most versatile and inventive artists of the postwar era, David Hockney settled in Los Angeles in 1964. Courtesy … During the 1960s, Hockney worked on a series of large double portraits. The painting depicts Frederick and Marcia Weisman, two American art collectors from Los Angeles. There they stand, Fred and Marcia Weisman, two LA plutocrats in their expensive sculpture garden - he with one fist clenched and leaking paint (art and money flowing through his fingers); she wearing a 60s hostess gown and a weirdly wonky smile that is far too big for her face and looks somewhere between caricature and collage. Smart and intelligent portrait... American Collectors (Fred and Marcia Weisman), 1968. Certainly the statue in the niche is. In 1976 she initiated a program that resulted in the contribution by hundreds of donors of more than 8,000 works of art to Cedars-Sinai. The mere size of the painting pulls the viewer in. [4] The woman is facing the viewer head-on with one arm holding the other to her side. Most portraits are made on commission, so people choose an artist who they think will do them justice, and maybe give them the benefit of the doubt, as Marie d’Medici did. Art that looks great on the walls of a house on the coast looks silly in Nashville. American Collectors (Fred and Marcia Weisman), 1968 Acrylic on canvas 84 x 120" Art Institute of Chicago I don’t know who Fred and Marcia Weisman are, but they must be art collectors. For more information, read full disclaimer here. The stacked rocks mimic Fred’s erect posture. She was 73 years old. American Gardeners (after David Hockney’s American Collectors (Fred and Marcia Weisman), 1968), a revised David Hockney painting (Ramiro Gomez) Mrs. Weisman in the painting stands at a frontal position as if to mimic the statue behind her yet her smile is in likeness of the totem pole in the background. This is a digitized version of an article from The Times’s print archive, before the start of online publication in 1996. The flatness is emphasized by placing the house and background on the same field with saturated blues and light shades of green. Or because, no matter how blank or untruthful the portrait of a well-known face, here at least is some trace of a friend? ", "Will This Painting Make David Hockney the Most Expensive Living Artist When Christie's Sells It This Fall? American Collectors (Fred and Marcia Weisman) | The Art Institute of Chicago Despite his themes that ignored contemporary social upheavals, his art is continuously praised by critics. American Collectors (Fred and Marcia Weisman) by David Hockney hangs in the Art Institute in Chicago. A predominately black neighborhood broke out into a riot that lasted several days and more than 3,000 people were arrested. Outside of the home having a dual purpose, this idea of duality between the objects and subjects come into play. The NPG has its brief - to keep up the national pantheon of famous faces, but it has to make do with the artists available. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. The light is so bright that it flattens out the entire scene, and gives it an emotional dullness, so different from other portraits I have discussed, like this one. It is as if the house and background are introducing the couple in the foreground and the abundance of cool colors juxtaposes the loud pink of the woman's dress. Last year she gave Jasper Johns's "Map," perhaps the most important work in her collection, to the Los Angeles Museum of Contemporary Art. [9] A symbolic feature in the painting to further extend the theme is the hand of Mr. Weisman. Courtesy of the National Portrait Gallery. Maybe the totem pole is part of their collection, its age and maker are so different that they make a nice contrast, and a lot of modern art collectors like “primitive” art. In the foreground of the piece sits the stone sculpture, right between the two figures. Portrait of an Artist (Pool with Two Figures), Learn how and when to remove this template message, "American Collectors (Fred and Marcia Weisman), 1968", "Frederick Weisman Just Can't Get Art Off His Mind", "About This Artwork: American Collectors. The piece is flat, and depth is created using scale. Some critics argue that his work has no social context; however, his art does reflect a very high-class California domesticity during the 1960s when parts of California were experiencing upheaval such as the riots in Watts. Take a portrait called American Collectors currently on show in the Hockney retrospective at the National Portrait Gallery. View this post on Instagram . The Weismans are standing on the patio in bright light. American Collectors (Fred and Marcia Weisman), 1968 . I’m beginning to see something else. The objects add depth and positive space which give the home within the painting a second use. Including this piece. Perhaps the most iconic example from a group of double portraits of friends and associates from the 1960s, this painting depicts the contemporary-art collectors Fred and Marcia Weisman in the sculpture garden of their Los Angeles home.

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