Please note that performance dates for Festival 2021 are still to be confirmed. Performance days have been highlighted. In this installment of our Introducing… series we take a look at Poulenc’s, Danielle de Niese on Dialogues des Carmélites. Image credits: Pelléas et Mélisande and Cendrillon, photos: Richard Hubert Smith | Le nozze di Figaro, photos: Robbie Jack. Call UK 0203 070 3997 we are here to help. , a smash hit with audiences and critics alike. Glyndebourne’s first ever staging of Poulenc’s extraordinary 20th-century tragedy Dialogues des Carmélitesopens Festival 2020 on 21 May. One of the most devastatingly powerful operas in the repertoire, Dialogues des Carmélites is also one of the most beautiful. Or fill out the form below to be contacted by a member of our team. There is no musical escape from their fate. Plus, you enjoy year-round benefits and a tailored relationship with Glyndebourne. Read our step-by-step guide to the autumn experience and fin…, Find out everything you need to know about Offenbach's fabul…, Our shop's new David Hockney range features his iconic desig…, Glyndebourne is facing a devastating impact due to the loss …. Glyndebourne favourite Danielle de Niese is confirmed to play the role of Blanche. Every purchase supports our work. For more information please contact the Development team on +44(0)1273 815400 or [email protected]. Public booking opens in March 2021. Read our step-by-step guide to the autumn experience and fin…, Find out everything you need to know about Offenbach's fabul…, Our shop's new David Hockney range features his iconic desig…, Glyndebourne is facing a devastating impact due to the loss …. Dialogues des Carmélites tells a fictionalised story of the Martyrs of Compiègne, Carmelite nuns who, in the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. Her most recent role at the Festival was the title role in 2019’s, – will play Madame Lidoine. By clicking on or navigating to our site, you consent to this. In return, you gain an insider view of the creative process through exclusive events and rehearsals, as you help us bring this production to life. Danielle de Niese on Dialogues des Carmélites Soprano Danielle de Niese shares her thoughts on Dialogues des Carmélites and working with director Barrie Kosky. This is Glyndebourne’s first-ever production of a powerful 20th century classic. * Select a date to view the available performances. Sign up to our newsletter to stay involved with Glyndebourne. Performance days have been highlighted. Photo: James Bellorini. Dialogues des Carmélites will be conducted by our Music Director, Robin Ticciati, who has brought a number of notable French works to the Festival before. There are 15 performances, each with a 90-minute dinner interval. By clicking on or navigating to our site, you consent to this. L’elisir d’amore (23 May – 18 July) Warmth and sparkling laughter highlight Donizetti’s greatest romantic comedy. Based on a true story, the tragedy of Poulenc’s. Only the youngest, Constance, is left to sing the closing line. Heading up the cast is Glyndebourne favourite Danielle de Niese as Blanche. Enjoy priority booking for the Festival. Watch the video to see Alexandra’s detailed breakdown of this scene, where she explores how Poulenc’s score creates such an emotive and poignant moment. and a Syndicate and Circle of Individuals Glyndebourne Festival 2020 will see our first ever production of Dialogues des Carmélites directed by Barrie Kosky. Find out how you can join as an Associate Member, Help ensure Glyndebourne's future for generations to come, The cookie settings on this website are set to ‘allow all cookies’ to give you the very best experience. The number of voices gets smaller and smaller (the second verse is sung by only four voices), and to further ratchet up the tension each restatement of the hymn rises upwards, turning the musical screw. Read our step-by-step guide to the autumn experience and fin…, Find out everything you need to know about Offenbach's fabul…, Our shop's new David Hockney range features his iconic desig…, Glyndebourne is facing a devastating impact due to the loss …. Glyndebourne Members have priority booking for Festival 2021 – find out more about becoming a Member. South African soprano Golda Schultz – last seen as the Countess in 2016’s Le nozze di Figaro – will play Madame Lidoine. Top pick for 2020 in The Sunday Times and The Times. The final scene’s ‘Salve Regina’ is one of the most famous (infamous, even) endings in all opera. Enjoy priority booking for the Festival. Find out more about supporting Festival 2020. (1957) is all the more astonishing because it is the composer’s only full-length opera. In the video above Alexandra talks to members of the Glyndebourne Chorus about Kosky’s unique directing style. The music is punctuated irregularly by blade-blows as, one by one, the women are executed. See images from our our first indoor production since March! Enjoy priority booking for the Festival. is both a widescreen historical and political tragedy, and an intimate psychological exploration of faith. Heading up the cast is Glyndebourne favourite, as Blanche. They are joined by. Carmelites promises to be a highlight of the three-month, six-production Glyndebourne, opera season. * Select a date to view the available performances. See images from our our first indoor production since March! Our online shop offers a great selection of exclusive and locally sourced products. Dialogues des Carmélites (21 May – 19 July) Glyndebourne’s first ever staging of an extraordinary 20th-century tragedy. Just what can we expect from Barrie Kosky’s Dialogues des Carmélites? Such an intense, deeply psychological story is a perfect fit for director Barrie Kosky – in 2015 the director helmed our acclaimed production of. Glyndebourne favourite Danielle de Niese is confirmed to play the role of Blanche. Her most recent role at the Festival was the title role in 2019’s Cendrillon. Heading up the cast is Glyndebourne favourite Danielle de Niese as Blanche. Underpinning the hymn is an inexorable ostinato – a repeated bassline. There’s both grandeur and austerity, impact and intimacy here in music that has all the melodic beauty of Poulenc’s songs, now intensified into sung drama. DIALOGUES DES CARMÉLITES IS ON STAGE from 21 MAY – 19 JULY 2020 Public booking opens on 8 March 2020 Every purchase supports our work. Every purchase supports our work. They are joined by Karen Cargill, who played Geneviève in 2018’s Pelléas et Mélisande, as Mère Marie. This is Glyndebourne’s first-ever production of a powerful 20th century classic. Performance days have been highlighted. Deepen your relationship with Glyndebourne. Kosky’s last production for Glyndebourne was his blazingly original and visually spectacular staging of Handel’s Saul, which premiered in 2015 and was revived in 2018. Learn more, including about available controls in our, One of the most devastatingly powerful operas in the repertoire, a compelling portrait of faith, fate and human endurance, Poulenc’s. Our online shop offers a great selection of exclusive and locally sourced products. As the nuns march to face the guillotine they begin to sing a hymn – its steady, certain musical tread a contrast to the recitative-like music that dominates the opera. Supported by In the video below, our resident opera expert, Alexandra Coghlan, explores the real life events that inspired Poulenc, talks to the Glyndebourne Chorus about what it’s like to work with director Barrie Kosky, and takes an in-depth look at the opera’s unforgettable final scenes. Public booking opens at 6PM on Sunday 8 March. Learn more, including about available controls in our, What we’re doing to keep everyone safe at Glyndebourne. Our online shop offers a great selection of exclusive and locally sourced products. Her most recent role at the Festival was the title role in 2019’s Cendrillon. Such an intense, deeply psychological story is a perfect fit for director Barrie Kosky – in 2015 the director helmed our acclaimed production of Saul, a smash hit with audiences and critics alike. Carol and Paul Collins through Glyndebourne Association America Inc. Dialogues des Carmélites tells a fictionalised story of the Martyrs of Compiègne, Carmelite nuns who, in the closing days of the Reign of Terror during the French Revolution, were guillotined in Paris for refusing to renounce their vocation. Sign up to our newsletter to stay involved with Glyndebourne. By clicking on or navigating to our site, you consent to this. Book best seats to this sell out production at Glyndebourne 2020. Dialogues des Carmélites will be conducted by our Music Director, Robin Ticciati, who has brought a number of notable French works to the Festival before. We hear from the man himself about what’s coming to the stage this summer… Glyndebourne’s first ever staging of Poulenc’s extraordinary 20th-century tragedy Dialogues des Carmélites opens Festival 2020 on 21 May. It’s the achievement of a supremely gifted song composer who, after a 40-year apprenticeship, finally used his skills to paint a larger dramatic canvas. Sign up to our newsletter to stay involved with Glyndebourne. Find out how you can join as an Associate Member, Help ensure Glyndebourne's future for generations to come, The cookie settings on this website are set to ‘allow all cookies’ to give you the very best experience. One of the most devastatingly powerful operas in the repertoire, a compelling portrait of faith, fate and human endurance, Poulenc’s Dialogues des Carmélites (1957) is all the more astonishing because it is the composer’s only full-length opera. * Select a date to view the available performances. Barrie Kosky in rehearsals for the revival of Saul. There’s both grandeur and austerity, impact and intimacy here in music that has all the melodic beauty of Poulenc’s songs, now intensified into sung drama. Carol and Paul Collins through Glyndebourne Association America Inc. and a Syndicate and Circle of Individuals, What we’re doing to keep everyone safe at Glyndebourne. Poulenc’s French Revolution-set opera was inspired by a true story. See images from our our first indoor production since March! Find out how you can join as an Associate Member, Help ensure Glyndebourne's future for generations to come, The cookie settings on this website are set to ‘allow all cookies’ to give you the very best experience. Help us to bring Poulenc’s devastatingly powerful story of martyrdom to the Festival, Join The Carmelites Syndicate (£20,000+) or Circle (£5000+), FIND OUT MORE ABOUT HOW WE RECOGNISE THE VITAL SUPPORT OF OUR DONORS. Poulenc wrote the music and libretto in 1956, his second opera. Based on a true story, the tragedy of Poulenc’s Carmélites is both a widescreen historical and political tragedy, and an intimate psychological exploration of faith. Learn more, including about available controls in our, DIALOGUES DES CARMÉLITES IS ON STAGE from 21 MAY – 19 JULY 2020, What we’re doing to keep everyone safe at Glyndebourne. Dialogues des Carmélites is sung in French with English surtitles. Poulenc wrote the music and libretto in 1956, his second opera. Soprano Danielle de Niese wants to know, and so do we! It’s the achievement of a supremely gifted song composer who, after a 40-year apprenticeship, finally used his skills to paint a larger dramatic canvas. What's on in 2021.

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