Published in 1938, Rebecca is the fifth novel by Cornish author Daphne du Maurier, also known as Lady Browning. But it's better than nothing. Rebecca was adapted by Alfred Hitchcock into a popular film (1940). Near Manderley, Mrs. de Winter comes across what she thinks is a boathouse, but is also a furnished apartment that once belonged to Rebecca. Danvers becomes more and more of an antagonistic figure—but usually without saying or doing anything that seems outright antagonistic. Mrs. Danvers convinces Mrs. de Winter that Maxim doesn't love her – that he only loves Rebecca – and that she'd be better off dead. The investigating colonel and Mrs. Danvers are summoned. The narrator’s mistake is that she’s trying to interact with Mrs. Danvers as she’d interact with a friend or a casual acquaintance. Apparently, he had his reasons: Rebecca, he claims, cheated on him constantly, and he hated her. Rebecca was Hitchcock's first American movie, and it won Oscars for Best Picture, and Best Cinematographer, Black-and-White, while garnering a nomination for Best Director (a prize Hitchcock never did win). Cite This Page. Widely considered a classic, it is a psychological thriller about a young woman who becomes obsessed with her husband’s first wife. -Graham S. The narrator confirms that a short amount of time has passed since the events of the previous chapter, and she and Maxim have finally been married. By using our site, you acknowledge that you have read and understand our. Apparently that's a great combination for writing a fast-paced psychological thriller, because she totally nailed it. © 2020 Shmoop University Inc | All Rights Reserved | Privacy | Legal. This assembly—an entire manor house-worth of servants gathering outside—seems both friendly and aggressive. "A brilliant novel of an unforgettable wife…"We love this old-school cover. By entering your email address you agree to receive emails from Shmoop and verify that you are over the age of 13. (including. It's actually the story of the wealthy, dashing, and creepy widower, Maxim de Winter, and his fabulous country estate, Manderley. The narrator has been trying to forget about Maxim’s last wife, but now that she’s at Manderley she finds that this is nearly impossible. The work also inspired three sequels: Susan Hill’s Mrs. De Winter, Maureen Freely’s The Other Rebecca, and Sally Beauman’s Rebecca’s Tale. But, you'll probably enjoy it a lot more when you've devoured the deliciously disturbing novel on which it's based. After meeting Maxim (that's his first name), she hears that his wife Rebecca drowned about nine months before, and that he is mourning her loss. The narrator remembers when she first met Mr. de Winter (the guy she's with now). Our, LitCharts assigns a color and icon to each theme in. Manderley itself is a physical reminder of Rebecca’s presence: although Rebecca herself is dead, she lives on in the objects and details constantly surrounding the narrator in her new environment. Mrs. Danvers suggests that she dress as Caroline de Winter, Maxim's ancestor, whose portrait hangs in the house. "My students can't get enough of your charts and their results have gone through the roof." They’re like a formidable army, reminding the narrator that she’s outnumbered at Manderley. Next. Virtual Tour of ManderleyWell, this is really a tour of Menabilly, the place on which Manderley is based. Read up on them, and then plan a trip to check out their archives. The original text plus a side-by-side modern translation of. This woman, our narrator, is dreaming of returning to a place called Manderley, but she and the man she's with can never go back; it holds too many bad memories for them. It's narrated by Maxim's second wife, known only as Mrs. de Winter, who finds herself living in the shadows of Maxim's first wife (that's Rebecca, although we never meet her). So, you love page-turners that you can fly through in hours? The narrator is seemingly terrified of Mrs. Danvers, but she lies to Maxim and just says that she finds her “stiff.” The narrator is clearly still uncomfortable around Maxim, and wants to seem braver and less “stiff” herself than she actually is. Teach your students to analyze literature like LitCharts does. Chapter 6.
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