They never interpreted old rock; they simply played it as well and as joyfully as they knew how. “You Can’t Catch Me” is given the kind of over-elaborate, heavy-handed reading that must make Keith Richard and Mick Jagger smile with pride — they caught the mood of that Chuck Berry song so much better over ten years ago, on a great little Rolling Stones album, Now! His “Money” wasn’t just more popular than Barrett Strong’s original — it was also better. (Required), You can request being unbanned by clicking. Did you install a browser extension (such as Realplayer/Realdownloader) that helps you download YouTube videos or other content? There was a time when he did. You might have a buggy browser extension installed. We are hoping to eventually work on a solution for this when we have the resources to do so. On Rock ‘n’ Roll, John Lennon does nothing but interpret old rock. Lennon can recreate the music correctly (“Be-Bop-A-Lula”), but never catches the feeling. You don’t do anything with a song like this except perform it — it speaks for itself. But the origins of this record in grubby coercion seemed to curse the sessions, which were marked by the mental deterioration of original producer Phil Spector. Step 2 (optional): Enter any other comments/feedback here, Step 3: Enter your email address. Rock 'n' Roll is the sixth studio album by John Lennon. Find album reviews, stream songs, credits and award information for Rock 'n' Roll - John Lennon on AllMusic - 1975 - Although the chaotic sessions that spawned this… The Beatles never sounded intimidated by their idols. If so, you'll need to disable it when using this site, as it spams the websites you visit with fake requests. Morris Levy, owner of the publishing on You Can't Catch Me, agreed not to call in m’learned friends over the resemblance of parts of The Beatles’ song Come Together to that Chuck Berry composition if Lennon acquiesced to recording some of his copyrights – a lucrative scenario for Levy. You (or someone with the same IP address as you) might be using a script or program to download pages from this site automatically. Want more Rolling Stone? Our automated banning policies are not perfect and sometimes too strict, and some IP addresses are banned by accident. You requested a very large number of pages in a very short time, causing problems for our server (this can happen if you hit 'refresh' over and over). The most revealing failure comes on Bobby Freeman’s “Do You Want to Dance.” The song stands for all the gems left behind by rock’s minor heros — there’s no logic to anyone as limited as Bobby Freeman writing anything so great. If you don't think that you've We are all familiar with "Stand By Me" but John's renditions of "Be-Bop-A-Lula," Sweet Little Sixteen," "Bony Moronie" rock. Read and write album reviews for Rock 'n' Roll - John Lennon on AllMusic But here comes John, with a reggae twist and a new melody line, and the magic of a tune called “Do You Want to Dance” is gone. © Copyright 2020 Rolling Stone, LLC, a subsidiary of Penske Business Media, LLC. The Beatles did their best cover work on Little Richard’s “Long Tall Sally” and music influenced by Richard, such as Larry Williams’s “Dizzy Miss Lizzie.” But now, almost 20 years since Richard and his imitators made their best music and more than ten since the Beatles started recording theirs, Lennon offers hollow visions of “Ready Teddy,” “Rip It Up” and “Slippin’ and Slidin’.”. Complete your John Lennon collection. Though there is very little subtlety, there is evident affection throughout, excellent musicianship and some fun post-modern nods to the audience, including what seems a deliberate attempt to make You Can't Catch Me resemble the swamp-rock of Come Together as much as possible. When the Beatles cut old rock ‘n’ roll, they were recording music still in their performing repertoire, and besides, they never thought of the music as old. Tracks like a snail’s-pace Do You Wanna Dance?, a bizarrely ornate Sweet Little Sixteen and a heavy metal Bony Moronie are perplexingly lacking in the swing and pace that was the point of rock‘n’roll in the first place. If you choose to use this review on your site please link back to this page. Released in 1975, it is an album of late 1950s and early 1960s songs as covered by Lennon. Your computer may be infected with malware or spyware that is making automated requests to our server and causing problems. The Beatles didn’t care whether they got the music right so long as they got the feeling. You might be using a VPN. However, once this deal was struck, inveterate old-school rocker Lennon found himself enthused by the idea of a retro album. As a performing group, the Beatles began by playing old rock favorites, for dancing, to tough audiences in Liverpool and Hamburg. We want to hear from you! There's not much we can do about this right now; you'll have to turn off your VPN in order to continue using the site. done anything to warrant a ban, this is most likely the case. The Beatles didn’t care whether they got the music right so long as they got the feeling. The Beatles version of this music used to be filled with exhilarating moments; Lennon sounds like he’d be satisfied if he could capture only one. Read about our approach to external linking. Your IP was not banned by a person; it was banned by a firewall that uses an automated algorithm. In making an album about his past, he has wound up sounding like a man without a past. Send us a tip using our anonymous form. Underneath the pushing, shoving and straining, his album sounds like music in search of a climax that never comes. Meanwhile, a slinky Slippin' and Slidin' and a breakneck Peggy Sue demonstrate that nobody can teach this man anything about generating primal rock excitement. https://rateyourmusic.com/release/album/john-lennon/rock-n-roll-2 Some of my favorite Beatle songs are the old rock and roll numbers from their early days. On the back cover of the beautiful package, Lennon’s name appears in lights — just like Chuck Berry promised they would in the last verse of “Johnny B. Goode.” At the bottom, there’s the now famous quote (the best thing about the album, really) from Dr. Winston O’Boogie: “You Should Have Been There.” John Lennon was, but sounds like he’s forgotten what it was like. But more than he misses the point of Chuck Berry and Little Richard, Lennon misses the point of this kind of rock — the stuff that sounds almost anonymous, like anyone could sing it, music whose simplicity is its greatest strength. When they began writing seriously, they discovered that they couldn’t compose in the early American rock tradition. Find out more about our use of this data, and also our policy on profanity. He even dug up a picture of himself for the cover in his full pre-moptop bequiffed glory. If I didn’t know better, I would have guessed that this was the work of just another talented rocker who’s stumbled onto a mysterious body of great American music that he truly loves but doesn’t really understand. This page has been archived and is no longer updated. Though there is very little subtlety, there is evident affection throughout. Pun intended. On all tracks, Lennon’s singing is superb, especially a passionate and epic Stand by Me. On Rock ‘n’ Roll, John Lennon does nothing but interpret old rock. Part of the critical disdain was down to the fact that Lennon seemed uninterested in playing the songs of Chuck Berry, Larry Williams, Little Richard et al the way he had at a thousand gigs and BBC sessions, and opted instead for re-tooling. You might have the Hola VPN extension installed. Clips taken from original discs may contain strong language. If you are using a VPN, and other users of the same VPN are abusing the service, then you'll be automatically banned as well. This work is licensed under a Creative Commons Licence. However, once the shock of this has dissipated, the tracks can be heard to possess a steamhammer power and – courtesy of Spector’s kitchen-sink-and-all modus operandi – an exquisite richness. Recording the album was problematic and spanned an entire year: Phil Spector produced sessions in October 1973 at A&M Studios , and Lennon produced sessions in October 1974 at the Record Plant (East). (Paul McCartney finally ended the custom by writing a perfect Little Richard song himself, one that not only worked in its own right, but poked a little fun at the style and at the Beatles as well — the marvelous “I’m Down.”). You can add or edit information about Rock’N’Roll at musicbrainz.org . If you like early rock and roll John's musical journey back to his roots is a must have. On paper, the concept was a killer. Discover releases, reviews, credits, songs, and more about John Lennon - Rock 'N' Roll at Discogs. In paying tribute to his musical-childhood background, Lennon sounds like he’s forgotten he used to perform material like this seven nights a week and that he used to record it several times a year. He’s forgotten that most of today’s rock audience came to Little Richard and Chuck Berry through the Beatles versions of the music. That makes it all the more bizarre that Rock ‘n’ Roll, John Lennon’s celebration of early American rock, comes out sounding like nothing but oldies — self-conscious musical attitudinizing about rock roots, and poorly done at that. Sign up for our newsletter. Amazon Just Dropped $50 off the Speaker That's a Staple in Dorm Rooms, Bedrooms and Dens, Producer Ted Templeman Remembers Eddie Van Halen: ‘He Wasn’t Just a Shredder’, Listen: 10 Batshit Things Trump Told Rush Limbaugh Today, Sammy Hagar and Mike Anthony Salute Eddie Van Halen in New Video, Watch Willie Nelson and Sons Cover John Lennon’s ‘Watching the Wheels’, New Bonkers Interview: Trump Says He Beat Biden in Second Debate, an Event That Has Yet to Happen. Steve Wright in the Afternoon BBC Radio 2, Tracklistings come from MusicBrainz. Find out more about our use of this data. Quite simply, John Lennon recorded Rock‘N’Roll in order not to be sued. This is forbidden by our terms of service. You could have been banned by mistake. Quite simply, John Lennon recorded Rock‘N’Roll in order not to be sued. Medley: Bring It On Home to Me / Send Me Some Lovin’. This company sells your internet traffic to other people, meaning that other people can use your IP address and can break some of the above rules, causing you to be banned from this site. Levy himself, thinking Lennon was welching on their deal, put out a mail order version using rough mixes, the confusion engendered by which may have been responsible for the pitiful initial sales of Rock‘N’Roll, although lukewarm reviews didn't help. Anyone who remembered Lennon tearing through the likes of Chuck Berry’s Rock and Roll Music on Beatles albums knew he had the capacity for an almost berserk commitment to songs he loved. This CD did not disappoint. So when they needed something crude, harsh and joyfully loud to round out an album, they borrowed songs originally done by Chuck Berry, Little Richard, Carl Perkins, Larry Williams or someone from Motown.

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