grosz card players

Lithograph, Sheet: 25 1/16 x 18 5/8 in. Oil and collage on canvas. After the war, Germany’s streets were filled with one and a half million wounded and crippled soldiers. Along with George Grosz, Dix is widely considered one of the most important artists of the Neue Sachlichkeit ... Otto Dix Follow. One of Dix’s early post-war paintings, which displays the harsh reality of the Weimar Germany in the style of the New Objectivity movement, is The Skat Players painted in 1920. Grosz based some of these lithographs on drawings he made while a patient in a mental hospital during the war, claiming he wanted to retain “everything that was laughable and grotesque in my environment.” When Grosz exhibited the portfolio at the First International Dada Fair in Berlin in 1920, he was accused, tried, and found guilty of defaming the military. artnet and our partners use cookies to provide features on our sites and applications to improve your online experience, including for analysis of site usage, traffic measurement, and for advertising and content management. Otto Dix. After Germany’s defeat in the First World War, the day-to-day life turned into a grotesque display of mutilated, shell-shocked, and depraved members of society. View all . By continuing to use our sites and applications, you agree to our use of cookies. Exploitation is also the theme of his “Femme Fatale” paintings, criticizing the narcissism that drove women to work the system in attempt to outdo one another—a representation of the social turmoil at the time. Skat Players (Card-Playing War Cripples) (1920) Showing both his Dadaist and Cubist influences, Dix makes a clear social statement using his bold technique in this painting. All rights reserved. In his Expressionist prints and paintings, Otto Dix immortalized the unprecedented horrors of World War I and its crippling aftereffects on life in Berlin. In my last post, I highlighted several of the many prints in the Brooklyn Museum’s collection that, like those now on view in the Käthe Kollwitz exhibition in the Herstory Gallery of the Elizabeth A. Sackler Center for Feminist Art, were made in response to the horrors of World War I. An ardent communist and supporter of the working class, Grosz expressed his disdain for the right wing capitalist and military ruling classes in a caustic portfolio of lithographs he made after WWI ironically titled God With Us after the nationalistic motto inscribed on every German soldier’s belt buckle. These figures play cards (and smoke cigars!) Other works by Otto Dix. Cynicism and disillusionment with the government and militarism permeates the work of George Grosz, an incisive caricaturist, satirist, and one of the most influential graphic artists to be associated with Expressionism, New Objectivity, and Dada. (63.7 x 47.3 cm). Between the three men there is only a single shirt-sleeved and cuff-linked leg; like the other soldier’s mouth it has been repurposed to hold cards. Skat was a card game favored by Krupps, the German manufacturers of weapons. The versions vary in size, the number of players, and the setting in which the game takes place. from Colgate University, an M.A. 43 3/10 × 34 3/10 in. © artist or artist’s estate. B. Neumann Card Players Oil on canvas Lent by Dr. Victor Steiner Big City Oil on canvas Lent by Herman Shulman 1918 A Piece of My World Watercolor and ink Lent by Associated American Artists 1919 Berlin Lithograph Brooklyn Museum, Gift of Dr. F.H. and an M.Phil in Art History from CUNY, and an M.A. In this second post, I want to consider a few works by Georg Grosz (German, 1893-1959) and Otto Dix (German, 1891-1960), both of whom volunteered to fight for their country in World War I, influenced in part by national propaganda or leftist dreams that the war would finally and spectacularly doom monarchy and bourgeoisie materialism. Consign with Artsy. The print For German Right and German Morals (German Soldiers to the Front) (55.165.143) presents five brutish, malevolent, and corrupt specimens of the German military; the squat and thuggish officer in the center, whose holster makes obvious reference to his genitals, crushes a flower under his boot. 1917 "Kleine Grosz MAPPE" Three lithographs from the portfolio Published by Malik-Verlag, Berlin, 1917 Lent by J. close. Like Max Beckmann, Grosz would immigrate to the United States, arriving in New York in 1933. Drypoint on heavy wove paper, Image (Plate): 12 13/16 x 11 1/8 in. (18.1 x 23.2 in.) See our Privacy Policy for more information about cookies. Hirschland, 55.165.66. Otto Dix (German, 1891-1969). The Communists Fall and Foreign Exchange Rises, 1919. The other prosthetic “legs” and the contraption supporting the torso of the figure on the left are nearly indistinguishable from the chair and table legs. And in The Communists Fall and Foreign Exchange Rises (Blood is the Best Sauce)(X1041), another repulsive officer enjoys a genteel meal with a bloated war profiteer, one carving his meat and the other delicately dabbing at a stain on his shirt, while behind them a mob of vicious soldiers wield their bayonets to kill unarmed workers. George Grosz; Cardplayers, 1937; 46 x 59 cm. Cézanne also completed numerous drawings and studies in preparation for The Card Players series. Artist: George Grosz (German, 1893–1959) Title: Cardplayers, 1937 Medium: brush and india ink, reed pen and pen in India ink over charcoal on paper Size: 46 x 59 cm. The Card Players (Barnes Foundation, Pennsylvania) Number of figures: five Number of cardplayers: three Size: 134.6 x 180.3 cm This version, the largest and most crowded, features five figures. Small has taught art history at Hunter College and Brooklyn College and has been a member of the art history faculty at the School of Visual Arts since 2008. Here, the war’s capacity for bodily devastation and disintegration is sharply delineated: a mechanical jaw and hand, a patch covering a missing nose, an unseeing glass eye, an ear tube emerging directly from a misshapen skull. Three card players sit in a semi-circle around a card table, with two spectators behind - one is a boy, sitting with eyes cast down; the other is a man standing, smoking a pipe. Brooklyn Museum, Brooklyn Museum Collection, X1041. Property of the Association of Friends of the Nationalgalerie. Here, the war’s capacity for bodily devastation and disintegration is sharply delineated: a mechanical jaw and hand, a patch covering a missing nose, an unseeing glass eye, an ear tube emerging directly from a misshapen skull. (18.1 x 23.2 in.) Elizabeth A. Sackler Center for Feminist Art. Prior to joining the AFA, Small was a curator at the Dahesh Museum of Art, where she organized numerous exhibitions, including Napoleon on the Nile: Soldiers, Artists, and the Rediscovery of Egypt and Fantasy & Faith: The Art of Gustave Doré. 110 × 87 cm. The Card Players is a series of oil paintings by the French Post-Impressionist artist Paul Cézanne.Painted during Cézanne's final period in the early 1890s, there are five paintings in the series. Red-Haired Nude with Red Stockings (Red-Haired Girl), 1925, San Francisco Museum of Modern Art (SFMOMA), Self-Portrait with Bent Head (Study for Eremiten/Hermits), 1912, bpk, Berlin / Nationalgalerie, Staatliche Museen, Berlin, Germany / Photo: Joerg P. Anders / Art Resource, NY / Dix, Otto (1891-1969) © …. Art Resource. Card Players (Kartenspieler), 1920. Get the latest news on the events, trends, and people that shape the global art market with our daily newsletter. George Grosz (American, born Germany, 1893-1959). Small earned a B.A. * Subscribe now to view details for this work, and gain access to over 10 million auction results. New York. Lisa Small joined the Brooklyn Museum in Spring 2011 as Curator of Exhibitions. Dix, who fought as a machine gunner on the Western Front, depicts three such figures in his print Card Players (55.165.66). in Arts Administration from NYU. Brooklyn Museum, Gift of Dr. F. H. Hirschland, 55.165.143. (32.5 x 28.3 cm). Dix, who fought as a machine gunner on the Western Front, depicts three such figures in his print Card Players (55.165.66).

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